As a literary genre, Indian short story, next to poetry, is the most popular and accepted form of literature for its variety and nuance of Indian experience. Evolving over time, it has gained wide currency among people. Even after its recourse to traditional rules of the craft, Indian short story amazingly presents itself an original and distinctive form of art. Developed out of contemporary native literature and western storytelling technique, Indian short story presents an amalgation of two different literary traditions which has become unique and distinctive in course of time and long been catering to the taste of people. Ever since its origin, it has already witnessed a plethora of Indian writers who have made significant contributions to this genre by encapsulating the essence of Indian life and culture. They are Rabindranath Tagore, Munshi Premchand, R.K. Narayan, Mulk Raj Anand, Ismat Chughtai, Ruskin Bond, Khushwant Singh, Saadat Hasan Manto, Ashapurna Devi, Jhumpa Lahiri, Anita Desai, Kiran Desai, Chitra Banerjee Divakaruni, Anita Nair, Qurratulain Hyder, Namita Gokhale, Madhulika Liddle , just to name a few. At present Indian short story has taken a wider form, much more than earlier and almost every writer has started trying her or his hand at this field that it is too difficult for one to sum up the whole in one singular work. Still this present book is an endeavour to compile the works of major Indian short story writers in a short but comprehensive way in order to supply the best possible materials to readers, writers, academics, scholars and students who wish to do further studies in this field. There are twenty six chapters in this book which together presents a rich tapestry of this genre. Hopefully this book will march towards many unexplored realms exciting many curious minds, restarting many fruitful dialogues and invigorating many fresh and new ideas among academics, scholars and students alike.

In this period of globalization, many individuals are trying to upgrade the life and for that most of them are now migrating to other lands. In the process of getting settle in new land they encounter many problems. The issue of migration and immigration brings forward the question of exile, identity, assimilation, memory, nostalgia, hopelessness, uprootedness, hybridity and so on. Indian writers have beautifully picked up experiences of such people and penned them down. Such writing is called ‘Diaspora Literature’, wherein immigrant experiences have been shared through literature. This type of literature includes expatriate stories, refugee chronicles and immigrant narratives. The present anthology Indian Diaspora Literature: A Critical Evaluation covers as many as twenty articles where the authors have discussed innumerable issues and challenges as confronted by Indian immigrants due to their distance and dislocation from their familiar homeland to the alien hostland, irrespective of what kind of exile they follow: forced or voluntary. Apart from bringing into surface the migratory problems, the anthology also sheds light on the complexities that arise out of such migration. Some of the notable Indian writers who have been given room in this book are V. S. Naipaul, Amitav Ghosh, Rohinton Mistry, Jhumpa Lahiri, Chitra Banerjee Divakaruni, Anita Desai and Kiran Desai to name a few. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

The present anthology Indian English Poetry: A Critical Evaluation is an endeavour to shed some light on some major Indian English poets. It combines and discusses poets of two generations. From older generation of poets like Henry Derozio, Toru Dutt, Rabindranath Tagore to younger generation of poets like Nissim Ezekiel, Jayanta Mahapatra, Eunice de Souza, Gieve Patel, Kamala Das and many others, all have critically been studied in this anthology. Along with a brief and critical introduction about the origin and development of Indian English poetry, the anthology also covers an interview with modern Indian poet Keki N. Daruwalla. The anthology will be helpful to provide study materials for both students and teachers alike.

The first English translation of these tales, some written in prison, provides new insights into contemporary Indian culture as well as Yashpal's own fascinating life.

SOON TO BE A MAJOR MOTION PICTURE The stunning Booker Prize–winning novel from the author of Amnesty and Selection Day that critics have likened to Richard Wright’s Native Son, The White Tiger follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society. “This is the authentic voice of the Third World, like you've never heard it before” (John Burdett, Bangkok 8). The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society. Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.

Join us on a poetic journey to the soul of India. The Poetry of T.V. Reddy is grounded in human struggles and unrest, social as well as psychological and depicts the varied shades of restlessness that is the order of modern times. He protests against the social ills and evils in a gripping way in his absorbing poetry. He paints his experiences in a characteristic choice diction and the different images that he has carved out of human life and nature make a deep impression on the minds of the readers and linger there. The poet takes the readers into the soul of India, the villages and rural life which are the backbone of the countryóthat speaks volumes of his commitment to rural element and makes people come alive in his poetry. Natural rhyme and rhythm of the poems creates the pleasing melody. Clarity of thought and lucidity of expression, splendid imagery and marvelous melody are the hallmarks of his poetry. -- Dr. P.V. Laxmiprasad, Editor T.V. Reddy is not only a poet of highly perceptive temperament but also an accomplished critic and novelist. His awesome ingenious insight into the purpose and meaning of life in a perceptive and intuitive way leads the reader to the invisible force meticulously driving the point that the spiritual region lying within a man offers solace, harmony and consolation par excellence. For Reddy often finds strong affinity in Indian soil and here, rural backdrop inspires him to cultivate niceties of life where rural-oriented background turns out religious for him. -- P.C.K. Prem, Authoritative critic on Indian English Poetry from Himachal Paradesh, India T.V. Reddy's poems have the earthly smear of sweat and blood. Images crystallized, come alive in subtle but strong words gaining a permanent place in the hearts of the readers. His pen moves carving lasting images in a simple and straight form without any pompous gimmicks in the name of modern craft. His art of highlighting even tiny specks into gigantic monuments and the quality of lyrical writing gives a sense of exhilaration bringing the varied themes alive before our eyes elevating the soul to a higher consciousness. T.V. Reddy is a poet in the true sense, who gives us the best of the poetry in Indian English. -- D.H. Kabadi, from his review of Melting Melodies in Poetcrit T.V. Reddy is a skilled poet who handles thoughts that compel recognition. He deals with wide ranging themes that are sensitively sketched. While many poems capture common human tendencies and susceptibilities, vanities and vagaries with a sharp realist eye, there are some that move on to the dramatization of a grander perspective of eternity intruding into time to seek to redeem it of its ravages. -- Prof. C.R.Visveswar Rao, Former Vice Chancellor, Vikrama Simhapuri University, Nellore, A.P., India; and currently the Chairman, Indian Society for Commonwealth Studies (ISCS) , New Delhi From Modern History Press www.ModernHistoryPress.com