This book examines how India was placed and placed itself in the world during the first half of the 20th century in a period of global turmoil and set against the subcontinental contest for independence. In situating India in the world, it looks not just at current foreign policy studies, but also at geopolitics, World War experiences, theoretical and strategic approaches, early foreign policy institutional transitions and the role of Indian civil and foreign diplomatic services. The work explores history and theory with a focus on cosmopolitanism beyond nationalism. The use of extensive sources from archives in UK and Russia — especially in different languages, mainly German and Russian — lends this volume an edge over most other works. The book will be useful to professional academics, historians including military historians, security specialists, literary specialists, foreign policy experts, journalists and the general reader interested in international issues.

Based On Chinese And Indian Sources, Sheds Light On A Phase Of Indian Freedom Struggle1 From 1905 To 1947. Also A Study Of Synergy Of Cultures Of India And China And The Interface Between The Two Oldest Civilizations Of The World. Has Six Chapters And A Useful Appendix.

This book traces the development of Modern Standard Ukrainian in relation to the political, legal, and cultural conditions within each region. It examines the relation of the standard language to underlying dialects, the ways in which the standard language was enriched, and the complex struggle for the unity of the language.

This volume critically examines the notion of a 'new' India by acknowledging that India is changing remarkably and by indicating that in the overzealous enthusiasm about the new India, there is collective amnesia about the other, older India. The book argues that the increasing consolidation of capitalist markets of commodity production and consumption has unleashed not only economic growth and social change, but has also introduced new contradictions associated with market dynamics in the material and social as well as intellectual spheres.

The period from the mid-1930s to the end of the 1950s in India saw the cultural expression of a wide range of political sentiments and positions around imperialism, fascism, nationalism, and social transformation. It was a period that covered a crucial transitional phase: from colonialism to a postcolonial context. This transitional period in India coincided with a vibrant radical ethos in many other parts of the world where, among numerous political issues, the aesthetics-politics relationship came to be articulated and debated in unprecedented ways. No history of this period can be written without giving an account of the departures, inventions, and reinventions made by the Indian People's Theatre Association (IPTA) in the fields of drama, music, and dance. Yet music, a very important part of the IPTA's creations as well as the connecting link between the various artistic forms, has not been studied as part of the history of the IPTA movement. This book attempts to fill this gap in knowledge about the vast musical repertoire of the IPTA. It is about the IPTA tradition's music in a national as well as specifically regional contexts (Bengali, Malayalam, Telugu, Assamese, and Hindu/Urdu in particular), situated within the overall cultural and political context of the transitional period in India, and in the context of a radical impulse emergent in many parts of the world from the beginning of the twentieth century. The book is the culmination of an archiving-cum-documentation project of music in the IPTA tradition undertaken by the author. It can also be read as a songbook, including lyrics and musical scores, revivifying the songs and music of a radical impulse in South Asia.

Provides a comprehensive survey of the key events and personalities of this period.

For much of the world, the twentieth century can be seen as a big-budget disaster film--the stifling darkness of oppression, the green of the ruling classes. For the world's elite, the near-universal adoption of capitalism today reveals modern history as a narrative of unbroken progress. Eschewing conventional chronological accounts, The Twentieth Century is organized around the major themes of the last hundred years. To help us understand our recent past and probable future, Clive Ponting offers a "world systems" theory. His analysis holds that a few core states have dominated much of the rest of the world, which provides raw materials and cheap labor and remains tied to the core as virtual colonial territory. Between these extremes are Latin America, the Middle East, and eastern Asia, which have a limited shot at self-determination. Economic, social, and political differences between the core and periphery continue to grow. Atlantic predominance, which molded world history for four hundred years, has been challenged by the countries of the Pacific. The book's central theme revolves around the struggle between progress and barbarism; the hope for our future is that "our conscience will catch up with our reason." Everywhere in the world people now live longer than their predecessors. A majority has become literate, and most have benefited from recent technological progress. Nevertheless, democracy is unavailable to the preponderance of people, and in the century's final years the chasm between rich and poor continues to expand. On the eve of the millennium this vivid history is a must-read.