"Vivid storytelling built on exacting research." —Bill Keller, New York Times Book Review In 1735, struggling printer John Peter Zenger scandalized colonial New York by launching a small newspaper, the New-York Weekly Journal. The newspaper was assailed by the new British governor as corrupt and arrogant, and as being a direct challenge against the prevailing law that criminalized any criticism of the royal government. Zenger was thrown in jail for nine months before his landmark one-day trial on August 4, 1735, in which he was brilliantly defended by Andrew Hamilton. In Indelible Ink, Pulitzer Prize–winning social historian Richard Kluger has fashioned the first book-length narrative of the Zenger case, rendering with colorful detail its setting in old New York and the vibrant personalities of its leading participants, whose virtues and shortcomings are assessed with fresh scrutiny often at variance with earlier accounts.

WINNER OF THE 2011 AGE BOOK OF THE YEAR AWARD/ pbSHORTLISTED FOR THE 2011 WESTERN AUSTRALIAN PREMIER'S BOOK AWARDS/b SHORTLISTED FOR THE 2011 BARBARA JEFFERIS AWARD Marie King is fifty-nine, recently divorced, and has lived a rather conventional life on Sydney’s affluent north shore. Now her three children have moved out, the family home is to be sold, and with it will go her beloved garden. On a drunken whim, Marie gets a tattoo — an act that gives way to an unexpected friendship with her tattoo artist, Rhys. Before long, Rhys has introduced Marie to a side of the city that clashes with her staid north-shore milieu. Her children are mortified by their mother’s transformation, but have their own challenges to deal with: workplace politics; love affairs old and new; and, of course, the real-estate market. Written with Fiona McGregor’s incisive wit and keen eye, Indelible Ink uses one family as a microcosm for the changes operating in society at large. In its piercing examination of the way we live now, it is truly a novel for our times. PRAISE FOR FIONA MCGREGOR ‘This is a terrific “way-we-live-now” novel filled with anxieties about rising house prices, over-development and careers and marriages going nowhere. Verdict: absorbing.’ The Herald Sun ‘The best domestic novels use characters in a specific family or social setting to reflect and explore the values and issues of a particular time and place. Indelible Ink, which follows the intersecting lives of one Sydney family during the last days of the Howard era, is such a book — and looks set to be the most talked-about Australian novel since The Slap.’ Australian Book Review

Joy Malone learns this the night she sees a stranger with all-black eyes across a crowded room – right before the mystery boy tries to cut out her eye.

Since 1976, Bud Shark has been one of America's esteemed and sought-after printmakers. Published by the great Hardy Marks imprint, The Legend of Bud Shark & His Indelible Inkexamines the printmaking of ten distinguished artists who have worked with this master printer, at his renowned Shark's Ink studio in the Colorado Rockies. This book is published on the occasion of the 2009 exhibition at MCA Denver, curated by director Cydney Payton, who is also editor of this volume. The works gathered here are the result of close collaborations between artist and printer, with the artists-John Buck, Enrique Chagoya, Bernard Cohen, Red Grooms, Don Ed Hardy, Jane Hammond, Robert Kushner, Hung Liu, Hollis Sigler and Betty Woodman-always working in residence. With Shark, on-the-spot decisions are made at every stage of the collaborative printmaking process-from how a plate can be made to the right paper for a given image.

A printed directions label on a tin tube containing a small glass bottle of indelible ink meant for marking textiles. The tube has an embossed lid and the glass bottle has some dried ink and its original cork stopper.

Morris Magellan wakes one morning to find himself stuck in a corporate job and living the suburban dream with a wife and two children, except this dream feels like a nightmare. Out of his depth and starting to drift from reality, we meet Morris at the precipice. Bit by bit he is losing his struggle with addiction – he just doesn't know it yet. His only solace and escape from suburban family life and corporate duties is music and alcohol. His life is soundtracked with symphonies and concertos, every note, and every drink, carries him from moment to moment hoping to salvage something of himself before that too slips from his grasp. Harrowing but compellingly written, with humour and compassion, The Sound of My Voice is a stylistic masterpiece that presents conflict between a man's cowardice and cruelty, and a desperate attempt to recover his humanity.

From Tony Award-winning playwright Tom Stoppard, Indian Ink is a rich and moving portrait of intimate lives set against one of the great shafts of history—the emergence of the Indian subcontinent from the grip of Europe. The play follows free-spirited English poet Flora Crewe on her travels through India in the 1930s, where her intricate relationship with an Indian artist unfurls against the backdrop of a country seeking its independence. Fifty years later, in 1980s England, her younger sister Eleanor attempts to preserve the legacy of Flora’s controversial career, while Flora’s would-be biographer is following a cold trail in India. Fresh from the critically acclaimed off-Broadway performance in 2014, Indian Ink is reemerging as an important part of Stoppard’s oeuvre and the global dramatic canon, a fascinating, time-hopping masterwork.