On July 26, 1764, an event occurred on the Pennsylvania frontier so shocking that it has been vividly remembered and retold for over 250 years. Eleven children gathered in a lonely log school house that warm summer morning. By noon they lay weltering in their own blood, scalped and dead or dying. And yet, one of the students, ten year old Archie McCullough, survived. He left no first hand accounts but by drawing on original sources, contemporary accounts and the work of others Mr. McCulloh brings this story to life in a unique way. In the lead chapter the attack is told from Archie's perspective in a full, dramatic narrative. The known facts have been wrapped in imagined thoughts, actions and dialog to present the story as never before told. The book also includes a factual, historical account of the full story and includes a selection of the earliest reports from obscure and long out-of-print sources. The Scalping of Archie McCullough is an invaluable source of information on the Enoch Brown Massacre.

This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the 2,000-mile border between the US and Mexico since 2004, with increased focus since 2009--the latest installation in his ongoing series Desert Cantos, a multifaceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol drag tires, spent shotgun shells, ladders and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book includes several suites of photographs drawn from a number of distinct series or Cantos, some made with a large-format camera as well as an iPhone. The book contains a compilation of two dozen sculpture-instruments, graphic scores, instrument designs and links to videos of performances by Galindo.

During the 1840s and 1850s, a dangerous ferment afflicted the North-South border region, pitting the slave states of Maryland, Virginia, Kentucky, and Missouri against the free states of New Jersey, Pennsylvania, Ohio, Indiana, and Illinois. Aspects of this struggle--the underground railroad, enforcement of the fugitive slave laws, mob actions, and sectional politics--are well known as parts of other stories. Here, Stanley Harrold explores the border struggle itself, the dramatic incidents that comprised it, and its role in the complex dynamics leading to the Civil War.