The book covers almost the whole range of semiotics: the conceptions of meaning, the appearance of meaning units in semiosis, the dichotomy analyticity/syntheticity, the formal condition of good translation, the metaphorical change in fine arts, the figurativeness in modern literary theories, the metaphor in computer translation, the conditionals with egocentric predicates, the evolution of the notion of cause, the temporal relation in conditionals, the structure of passive voice, the semantics of to think, the reasoning and rationality, the non-formalized reasoning, the operation of acceptance, the principle of non-contradiction, the relation semiotics/logic/philosophy, the interdisciplinarity and exactness, the notion of imprecision, the interpretation of some semiotic notions (i.a. semantic field of terms) in terms of mathematics, the description of categorial grammars in terms of model theory, the human knowledge as moral problem, the conceptualization of the development of knowledge by means of the notion of meme, the cultural relations between some European countries, the typology of scientists, the semiotic studies of some Spanish, Irish, Czech, Polish and Norwegian works of literature, the semiotic aspects of music, television and the whole sphere of artifacts, the history of semiotics (Plato, Gonsung Long, Descartes, Fu Yen, Peirce, Brwal, Lotman, Langer).

Drawing on the philosophy of C. S. Peirce, Robinson develops a ‘semiotic model’ of the Trinity and proposes a new theology of nature according to which the evolving cosmos may be understood as bearing ‘vestiges of the Trinity in creation’.

This informative and engaging illustrated reference provides the stories behind 1,001 signs and symbols, from ancient hieroglyphs to modern-day political and subculture symbols. What in the world does Ω mean? And what about its meaning might have led my coffee date to tattoo it on his entire forearm? Where did the symbol ∞ originate, and what was its first meaning? How did the ampersand symbol & come about and how was it applied daily in book publishing? And what is the full story behind that staring eye on top of the pyramid on our American dollar bill? This comprehensive guide to signs and symbols explains. Find within: More than 1,000 illustrations An extensive collection of written and cultural symbols, including animals, instruments, stones, shapes, numbers, colors, plants, food, parts of the body, religious and astrological symbols, emojis, and gestures Historical facts culled from a wide variety of sources Learn all about the signs and symbols that surround us and their part in our rich world history.

Explains the meaning given by diverse cultures in various eras to animals, plants, patterns, man-made objects, and abstract forms.

This anthology by Roland Barthes is a reflection on his travels to Japan in the 1960s. In twenty-six short chapters he writes about his encounters with symbols of Japanese culture as diverse as pachinko, train stations, chopsticks, food, physiognomy, poetry, and gift-wrapping. He muses elegantly on, and with affection for, a system "altogether detached from our own." For Barthes, the sign here does not signify, and so offers liberation from the West's endless creation of meaning. Tokyo, like all major cities, has a center--the Imperial Palace--but in this case it is empty, "both forbidden and indifferent ... inhabited by an emperor whom no one ever sees." This emptiness of the sign is pursued throughout the book, and offers a stimulating alternative line of thought about the ways in which cultures are structured.

This wide-ranging compendium traces symbolism to its ancient roots, examining a vast variety of symbolic images.