“a worthy, if not definitive, addition to the body of Zodiac knowledge.” — Kirkus "It is no exaggeration to call the identity of the Zodiac Killer the most maddening unsolved crime in American history...But it is also no exaggeration to say that Mike Rodelli's case stands above them all" — Tom Zoellner, Author and Former Reporter for the San Francisco Chronicle In June 1999, Mike Rodelli had an idea that had never occurred to a generation of detectives in the San Francisco Bay Area. This led him to a new suspect in the Zodiac case and began a twenty-year odyssey to prove that this man was the Zodiac Killer. In the Shadow of Mt. Diablo: The Shocking True Identity of the Zodiac Killer is filled with original information about the mystery, including DNA and behavioral profiling that resulted directly from his twenty years of intensive research. Rodelli provides the reader with an objectively researched, fully documented book that is meticulously footnoted, and which shows that, against all odds, he has solved a case many said would never yield its dark secrets.

In the Shadow of Diablo – Mystery of the Great Stone House alternates between a local teacher's present day adventure and the historical accounts of the brutal murder of Dr. John Marsh, one of the most important figures in California history.Harrison Barrett is a Brentwood science teacher who is compelled to investigate the sudden and tragic suicide of one of his high school students. Along with colleague Celeste Scott, Harrison finds himself engulfed in the legend of a hidden treasure and entwined with the real-life tale of a distraught son – Charles Marsh, whose father was slain 150 years prior.Past and present are linked as Charles seeks justice and Harrison searches for answers. The journeys of both men are filled with mystery and intrigue, separated by generations but united by a common yearning, a common motive… and a common setting – the shadow of Diablo.

DIVAn ex-con risks his freedom and his life to rekindle an old love affair/divDIV/divDIVThey call him Bad Dan, the Man Who Can. A talented photographer who makes his living smuggling premium Thai marijuana into the States, he meets Shel at a Las Vegas blackjack table, and falls instantly in love. After two years of whirlwind passion, they are living in California and plotting a final score. But in his haste to escape the con life, Dan makes a fatal mistake. The score goes sour, and Dan agrees to a ten-year stint to buy a light sentence for the woman he loves./divDIV /divDIVWhen he emerges from jail, Dan’s freewheeling spirit is gone. His parole bars him from consorting with known felons, but no power on earth can keep him away from Shel. Attempting to reconnect with her draws them both back into the smuggling game, where the only things hotter than their passion are the tempers of the men who want them dead./div

This anthology is composed of the generous contributions from a group of 38 poets, artists and photographers. The book contains an astounding variety of poetry, prose, photography and artwork. It is a celebration of life as well as an expression of lament. The book takes the reader through a series of moods, enriched with narrative poetry that reflects the California lifestyle, and the melancholia of heartbreak and loss, all the way through to the prolific and inspirational.

Other Worlds Here: Honoring Native Women’s Writing in Contemporary Anarchist Movements examines the interaction of literature and radical social movement, exploring the limitations of contemporary anarchist politics through attentive engagement with Native women’s literatures. Tracing the rise of New Anarchism in the United States following protests against the World Trade Organization in 1999, interdisciplinary scholar Theresa Warburton argues that contemporary anarchist politics have not adequately accounted for the particularities of radical social movement in a settler colonial society. As a result, activists have replicated the structure of settlement within anarchist spaces. All is not lost, however. Rather than centering a critical indictment of contemporary anarchist politics, Other Worlds Here maintains that a defining characteristic of New Anarchism is its ability to adapt and transform. Through close readings of texts by Native women authors, Warburton argues that anarchists must shift the paradigm that another world is possible to one that recognizes other worlds already here: stories, networks, and histories that lay out methods of building reciprocal relationships with the land and its people. Analyzing memoirs, poetry, and novels by writers including Deborah Miranda, Elissa Washuta, Heid E. Erdrich, Janet Rogers, and Leslie Marmon Silko, Other Worlds Here extends the study of Native women’s literatures beyond ethnographic analysis of Native experience to advance a widely applicable, contemporary political critique.

Celebrating the 150th birthday of the state of California offers the opportunity to reexamine the founding of modern California, from the earliest days through the Gold Rush and up to 1870. In this four-volume series, published in association with the California Historical Society, leading scholars offer a contemporary perspective on such issues as the evolution of a distinctive California culture, the interaction between people and the natural environment, the ways in which California's development affected the United States and the world, and the legacy of cultural and ethnic diversity in the state. California before the Gold Rush, the first California Sesquicentennial volume, combines topics of interest to scholars and general readers alike. The essays investigate traditional historical subjects and also explore such areas as environmental science, women's history, and Indian history. Authored by distinguished scholars in their respective fields, each essay contains excellent summary bibliographies of leading works on pertinent topics. This volume also features an extraordinary full-color photographic essay on the artistic record of the conquest of California by Europeans, as well as over seventy black-and-white photographs, some never before published.