The only available Russian Napoleonic memoir conveying the victor's perspective on a cataclysmic conflict.

Popular and scholarly history presents a one-dimensional image of Napoleon as an inveterate instigator of war who repeatedly sought large-scale military conquests. General Franceschi and Ben Weider dismantle this false conclusion in The Wars Against Napoleon, a brilliantly written and researched study that turns our understanding of the French emperor on its head. Avoiding the simplistic clichés and rudimentary caricatures many historians use when discussing Napoleon, Franceschi and Weider argue persuasively that the caricature of the megalomaniac conqueror who bled Europe white to satisfy his delirious ambitions and insatiable love for war is groundless. By carefully scrutinizing the facts of the period and scrupulously avoiding the sometimes confusing cause and effect of major historical events, they paint a compelling portrait of a fundamentally pacifist Napoleon, one completely at odds with modern scholarly thought. This rigorous intellectual presentation is based upon three principal themes. The first explains how an unavoidable belligerent situation existed after the French Revolution of 1789. The new France inherited by Napoleon was faced with the implacable hatred of reactionary European monarchies determined to restore the ancient regime. All-out war was therefore inevitable unless France renounced the modern world to which it had just painfully given birth. The second theme emphasizes Napoleon’s determined efforts (“bordering on an obsession,” argue the authors) to avoid this inevitable conflict. The political strategy of the Consulate and the Empire was based on the intangible principle of preventing or avoiding these wars, not on conquering territory. Finally, the authors examine, conflict by conflict, the evidence that Napoleon never declared war. As he later explained at Saint Helena, it was he who was always attacked—not the other way around. His adversaries pressured and even forced the Emperor to employ his unequalled military genius. After each of his memorable victories Napoleon offered concessions, often extravagant ones, to the defeated enemy for the sole purpose of avoiding another war. Lavishly illustrated, persuasively argued, and carefully illustrated with original maps and battle diagrams, The Wars Against Napoleon presents a courageous and uniquely accurate historical idea that will surely arouse vigorous debate within the international historical community.

Alexander I was a ruler with high aspirations for the people of Russia. Cosseted as a young grand duke by Catherine the Great, he ascended to the throne in 1801 after the brutal assassination of his father. In this magisterial biography, Marie-Pierre Rey illuminates the complex forces that shaped Alexander's tumultuous reign and sheds brilliant new light on the handsome ruler known to his people as "the Sphinx." Despite an early and ambitious commitment to sweeping political reforms, Alexander saw his liberal aspirations overwhelmed by civil unrest in his own country and by costly confrontations with Napoleon, which culminated in the French invasion of Russia and the burning of Moscow in 1812. Eventually, Alexander turned back Napoleon's forces and entered Paris a victor two years later, but by then he had already grown weary of military glory. As the years passed, the tsar who defeated Napoleon would become increasingly preoccupied with his own spiritual salvation, an obsession that led him to pursue a rapprochement between the Orthodox and Roman churches. When in exile, Napoleon once remarked of his Russian rival: "He could go far. If I die here, he will be my true heir in Europe." It was not to be. Napoleon died on Saint Helena and Alexander succumbed to typhus four years later at the age of forty-eight. But in this richly nuanced portrait, Rey breathes new life into the tsar who stood at the center of the political chessboard of early nineteenth-century Europe, a key figure at the heart of diplomacy, war, and international intrigue during that region's most tumultuous years.

In 1812 Napoleon's magnificent army invaded Russia. Among the half a million men who crossed the border was Albrecht Adam, a former baker, a soldier and, most importantly for us, a military artist of considerable talent. As the army plunged ever deeper into a devastated Russia Adam sketched and painted. In all he produced 77 colour plates of the campaign and they are as fresh and dramatic as the day they were produced. They show troops passing along dusty roads, bewildered civilians, battles and their bloody aftermath, burning towns and unchecked destruction. The memoirs which accompany the plates form a candid text describing the war Adam witnessed. Attached to IV Corps, composed largely of Italians, he was present at all the major actions and saw the conquerors march triumphantly into Moscow. But, from then on, the invading army's fate was sealed and the disastrous outcome of the war meant that the year 1812 would become legendary as one of the darkest chapters in history.

'A compulsive page-turner ... a triumph of brilliant storytelling ... an instant classic that is an awesome, remarkable and exuberant achievement' Simon Sebag Montefiore Winner of the Wolfson History Prize and shortlisted for the Duff Cooper Prize In the summer of 1812 Napoleon, the master of Europe, marched into Russia with the largest army ever assembled, confident that he would sweep everything before him. Yet less than two years later his empire lay in ruins, and Russia had triumphed. This is the first history to explore in depth Russia's crucial role in the Napoleonic Wars, re-creating the epic battle between two empires as never before. Dominic Lieven writes with great panache and insight to describe from the Russians' viewpoint how they went from retreat, defeat and the burning of Moscow to becoming the new liberators of Europe; the consequences of which could not have been more important. Ultimately this book shows, memorably and brilliantly, Russia embarking on its strange, central role in Europe's existence, as both threat and protector - a role that continues, in all its complexity, into our own lifetimes.

Napoleon and Russia tells, for the first time, the full story of Napoleon and his crucial relationship with Russia, from the 1790s and Bonaparte's rise to power, through the period of Austerlitz, Tilsit and the Russian invasion, to the Emperor's fall and its aftermath. In doing so, it not only puts the critical events of 1812 in their proper context as part of an even greater tale - of peace as well as war, friendship as well as enmity - but also provides fresh insight into the Napoleonic period as a whole, questioning many of the assumptions about the era prevalent in the English-speaking world. The tale boasts a cast of fascinating characters to rival any novel: the rulers, Napoleon himself, Catherine the Great, 'Mad' Tsar Paul and the enigmatic Alexander I; generals such as Ney, Murat, Davout, Suvorov, Kutuzov and Barclay de Tolly; statesmen like Talleyrand, Caulaincourt, Czartoryski and Rumiantsev; and, of course, the ordinary soldiers who fought some of the most intriguing, bloody and important campaigns in history. This is an enthralling story of fundamental importance in the history of Europe and, indeed, the world.

"Napoleon is a torrent which as yet we are unable to stem,” said Field-Marshal Prince Mikhail Kutuzov in September 1812, and then he predicted, “Moscow will be the sponge that will suck him dry.” Three months earlier, on June 24, 1812, Napoleon had made his fateful crossing of the Niemen River into Lithuania with an army of 500,000 men, which by December would be depleted by war, the weather, starvation, and disease to a mere 10,000. Sucked dry, indeed. The final six months of 1812 made of Napoleon’s boldest imperial dream his most disastrous military campaign, which historian and biographer Alan Palmer recounts here with narrative immediacy, colorful detail, analytic skill, and striking insight. He follows the French forces in their long, dusty haul from Vilna to Vitebsk to Viasma; from the frightful slaughter at Borodino to Moscow’s deserted, burning streets—and then the horrors of the grueling winter retreat. But Palmer also looks beyond the savagery of blizzards and battles to bring to his vast canvas an overall picture of a campaign that tragically cost Napoleon nearly half a million men and shaped the greatest catastrophe of his career. Illustrations and maps are included.