When the Emperor Hirohito died in 1989, Japanese newspapers had to use a special, exalted word to refer to his death, and had to depict his life uncritically, as one beginning in turbulence but ending in magnificent accomplishment. To do otherwise would have exposed them to terrorism from the vigilant right wing. Yet this insightful book by a Japanese-American scholar who grew up in both cultures reveals the hidden fault lines in the realm of the dying emperor by telling the stories of three unlikely dissenters: a supermarket owner who burned the national flag; an aging widow who challenged the state's "deification" of fallen soldiers; and the mayor of Nagasaki, who risked his career and his life by suggesting that Hirohito bore some responsibility for World War II.

When the Emperor Hirohito died in 1989, Japanese newspapers had to use a special, exalted word to refer to his death, and had to depict his life uncritically, as one beginning in turbulence but ending in magnificent accomplishment. To do otherwise would have exposed them to terrorism from the vigilant right wing. Yet this insightful book by a Japanese-American scholar who grew up in both cultures reveals the hidden fault lines in the realm of the dying emperor by telling the stories of three unlikely dissenters: a supermarket owner who burned the national flag; an aging widow who challenged the state's "deification" of fallen soldiers; and the mayor of Nagasaki, who risked his career and his life by suggesting that Hirohito bore some responsibility for World War II.

Foremost among Japanese literary classics and one of the world's earliest novels, the Tale of Genji was written around the year A.D. 1000 by Murasaki Shikibu, a woman from a declining aristocratic family. For sophisticaion and insight, Western prose fiction was to wait centuries to rival her work. Norma Field explore the shifting configurations of the Tale, showing how the hero Genji is made and unmade by a series of heroines. Professor Field draws on the riches of both Japanesse and Western scholarship, as well as on her own sensitive reading of the Tale. Included are discussions of the social, psychological, and political dimensions of the aesthetics of this novel, with emphasis on the crucial relationship of erotic and political concerns to prose fiction. Norma Field is Assistant Professor of Far Eastern Languages and Civilizations at the University of Chicago. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Kinslayer. Soul reaver. Sorcerer. Thief. And last emperor of a cruel, decadent race. Elric of Melniboné is all of these–and more. His life is sustained by drugs and magic–and energy sucked from the victims of his vampiric black sword, Stormbringer, a weapon feared by men and gods alike. Denied the oblivion he seeks, poised between a tragic past he cannot escape and a terrifying future he is doomed to bring about, Elric is a hero like no other. Del Rey is proud to present the fifth installment in its definitive collection featuring the immortal creation of Michael Moorcock, named Grand Master by the Science Fiction and Fantasy Writers of America. Highlights include an epic novel of Elric’s early years, The Fortress of the Pearl; the script of the graphic novel Elric: The Making of a Sorcerer; a previously unpublished proposal for a new series; and Hugo Award—winning author Neil Gaiman’s moving fictional tribute to Elric, the short story “One Life, Furnished in Early Moorcock.” Gorgeously illustrated by Michael Wm. Kaluta, Elric: In the Dream Realms is a dream come true for sword-and-sorcery fans.

This original and fresh book explores Okinawa's makeover as a tourist mecca in the long historical shadow and among the physical ruins of the Pacific War's most devastating land battle. Gerald Figal considers how a place burdened by a history of semicolonialism, memories of war and occupation, economic hardship, and contentious current political affairs has reshaped itself into a resort destination. Drawing on an innovative mix of detailed archival research and extensive fieldwork, Gerald Figal considers the ways Okinawa has accommodated war experience and its legacies within the manufacture and promotion of both a "tropical paradise" image and a heritage tourism site identified with the premodern Ryukyu Kingdom. Tracing the postwar formation of "Tourist Okinawa," Figal addresses interrelated issues of economic sustainability, local political autonomy, interregional and international relations, environmental preservation, historical and cultural self-representation, and especially Okinawa's role as a global peace site laboring under the legacies of war. From the end of World War Two to the present, the author follows Okinawa's evolution through three main themes: war memorialization, tourism-influenced environmental and historical restoration, and invasion and occupation represented by U.S. military bases and beach resorts. Creatively, accessibly, and eloquently written, this compelling work highlights a set of islands that represent key issues facing contemporary Japan.

Uniquely Okinawan explores how American soldiers, sailors, and Marines considered race, ethnicity, and identity in the planning and execution of the wartime occupation of Okinawa, during and immediately after the Battle of Okinawa, 1945–46.

Japanese film is enduringly fascinating, challenging and rewarding. This book provides a cultural, historical and philosophical study of Japanese film, from the silent era to the present-day, focusing on its expansive consciousness. The author examines masterpieces by Ozu, Mizoguchi, Oshima and many other directors, discussing their influence on the Japanese culture of esoteric Zen Buddhism and relating them to recent neuroscientific theories of brain trauma.