Frederic Dannay (1905-1982) was--with his partner Manfred Lee--the creator of the Ellery Queen detective novels and short stories. Dannay was also a literary historian and critic, and the editor of the renowned Ellery Queen Mystery Magazine. Queen--both a pen name and the fictional protagonist of the stories--was also a vital force behind the continuing popularity of crime fiction in the early to mid-20th century, after the deaths of Arthur Conan Doyle, G.K. Chesterton, Melville Davisson Post, and other Old Masters of the genre. This book presents the first critical study of Ellery Queen's role in the preservation of the detective short story. Many of the writers, characters and stories EQMM championed are covered, including such celebrated authors as Allingham, Ambler, Ellin, Innes, Vickers, and even William Butler Yeats.

As a counterpart to research on the 1930s that has focused on liberal and radical writers calling for social revolution, David Welky offers this eloquent study of how mainstream print culture shaped and disseminated a message affirming conservative middle-class values and assuring its readers that holding to these values would get them through hard times. Through analysis of the era's most popular newspaper stories, magazines, and books, Welky examines how voices both outside and within the media debated the purposes of literature and the meaning of cultural literacy in a mass democracy. He presents lively discussions of such topics as the newspaper treatment of the Lindbergh kidnapping, issues of race in coverage of the 1936 Olympic games, domestic dynamics and gender politics in cartoons and magazines, Superman's evolution from a radical outsider to a spokesman for the people, and the popular consumption of such novels as the Ellery Queen mysteries, Gone with the Wind, and The Good Earth. Through these close readings, Welky uncovers the subtle relationship between the messages that mainstream media strategically crafted and those that their target audience wished to hear.

This is the story of a small fairy princess and all that she has to endure to become a perfect fairy. There are many adventures she faces as she strives to become the next Fairy Queen.

She holds the secrets of a queen. He’s been hired to watch her. Daniela D’Ambrosio is the most trusted employee of Sarcaccia’s Queen Fabrizia, managing the queen’s schedule and ensuring she never makes a misstep in public. But when Fabrizia sends Daniela to organize the belongings of San Rimini’s late queen for a charity auction, Daniela finds a locked closet full of treasure, a suspicious king, and an attractive handyman who seems strangely familiar. Following a harrowing stint in the military, Royce Dekker now runs his own security firm in San Rimini. When he goes undercover to safeguard the late queen’s possessions, Royce learns that the woman organizing the auction project is none other than Daniela D’Ambrosio, the stunning beauty who’s fueled his late-night fantasies ever since their stolen night under the stars. When Daniela recognizes Royce, she realizes there is more to the palace job than she was told. But can she trust the sexy man standing guard over her as she works? Or will Royce discover that Daniela also has secrets to uncover? Fit for a Queen is the first book in the Royal Scandals: San Rimini series. The six-book series includes: • Fit for a Queen • Going to the Castle • The Prince’s Tutor • The Knight’s Kiss • Falling for Prince Federico • To Kiss a King READER INTERESTS: second chances, reunion romance, undercover hero, workplace romance, military hero, royal family, contemporary royalty, international romance, happily ever after, HEA, family saga, romance series, standalone

This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.