How ordinary urban objects influence our behavior, exacerbate inequality, and encourage social change Assumptions about human behavior lie hidden in plain sight all around us, programmed into the design and regulation of the material objects we encounter on a daily basis. In the Midst of Things takes an in-depth look at the social lives of five objects commonly found in the public spaces of New York City and its suburbs, revealing how our interactions with such material things are our primary point of contact with the social, political, and economic forces that shape city life. Drawing on groundbreaking fieldwork and a wealth of original interviews, Mike Owen Benediktsson shows how we are in the midst of things whose profound social role often goes overlooked. A newly built lawn on the Brooklyn waterfront reflects an increasingly common trade-off between the marketplace and the public good. A cement wall on a New Jersey highway speaks to the demise of the postwar American dream. A metal folding chair on a patch of asphalt in Queens exposes the political obstacles to making the city livable. A subway door expresses the simmering conflict between the city and the desires of riders, while a newsstand bears witness to our increasingly impoverished streetscapes. In the Midst of Things demonstrates how the material realm is one of immediacy, control, inequality, and unpredictability, and how these factors frustrate the ability of designers, planners, and regulators to shape human behavior.

A collection of letters and essays written over 15 years, the thrust of which is a contemplation of the tectonic forces that determine meaning and the quality of our lives, and how we can influence them. Calkins' vocation for the past 40 years has concentrated on personal wellbeing and human potential-disciplines that eventually open into the vaster realms from which they were born: wisdom and spirituality.

From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.

Describes a traditional Buddhist approach to suffering and how embracing the painful situation and using communication, negative habits, and challenging experiences leads to emotional growth and happiness.

Describes the critical and dangerous operations of the twin-engined Beaufighters in interdicting the roads, railways, shipping of the Japanese invaders in Burma based on primary documents and narratives of the air and ground crews.

How the daily practices of life with children can shape our faith In the Midst of Chaos explores parenting as spiritual practice, building on Bonnie J. Miller-McLemore's fresh conceptions of children from her book Let the Children Come. She questions conventional perceptions that spiritual practices require silence, solitude, and uninterrupted prayer and that assume a life unburdened by care of others. She is both honest about the difficulties and attentive to the blessings present in everyday life and demonstrates that the life of faith encompasses children and the adults who care for them. Miller-McLemore explores how parents might use seven daily practices, such as play, reading, chores, and saying goodbye or goodnight as rich opportunities to shape both parent and child morally and spiritually. Through these experiences, she shows how the very care of children forms and reforms the faith of adults themselves, contrary to the belief that adults must form children. In the Midst of Chaos also goes beyond the typical focus on individual self-fulfillment by tackling difficult questions of social justice and mutuality in the ways families live together. Readers will find in this book an invitation to love those around them in the midst of life's craziness and to live more deeply in grace.

The first major collection of Ambrose Bierce’s short stories, In the Midst of Life: Tales of Soldiers and Civilians went through multiple editions and titles, with Bierce adding, removing, and revising the stories each time. The version of the stories as collected here follows the final selection and revisions made by Bierce for his Collected Works, Volume 2, published in 1909, and is broken up into two sections, “Soldiers” and “Civilians.” Bierce fought for the Union in the American Civil War from the very first organized action at Philippi. He went on to fight in some of the deadliest battles of the war, at Shiloh and Chickamauga. He joined Sherman’s army on its march to Atlanta, and was grievously wounded in the head at Kennesaw Mountain. These locations serve as backdrops in his gritty and realist short stories in the “Soldiers” collection, most especially in the surreal story “Chickamauga.” While these stories are set in the war, Bierce covers a wide range of themes, from the fear of death in “Parker Adderson, Philosopher,” the requirements of duty for a soldier in “A Horseman in the Sky,” and what one might do for love in “Killed at Resaca.” Perhaps the most well-known story in “Soldiers” is “An Occurrence at Owl Creek Bridge.” Kurt Vonnegut called it “the greatest American short story,” saying “It is a flawless example of American genius, like ‘Sophisticated Lady’ by Duke Ellington or the Franklin stove.” Bierce, much like Edgar Allan Poe and H. P. Lovecraft, was an American pioneer in what he called his “tall tales”—psychological, supernatural, grotesque, and horror fiction. Many stories in “Civilians,” such as “The Man and the Snake,” “A Holy Terror,” and “The Suitable Surroundings,” foreshadow his later and darker works as studies in psychological horror. “The Eyes of the Panther” is a tragic, near-supernatural (though the reader is left guessing) tale of a woman of “feline beauty” and the man seeking her hand. Other stories found in the collection are satirical and ironic, like “The Famous Gilson Bequest” and “The Applicant.” Bierce’s writing earned him the title “Bitter Bierce” from his contemporaries, as one finds precious little hope and compassion in his stories, with death—often cruel—a recurring theme. A very rare exception can be found in “A Lady from Redhorse,” an epistolary romance. This book is part of the Standard Ebooks project, which produces free public domain ebooks.