Trapped in an isolated old house on Martha's Vineyard in winter, Diana Barlow is either seeing ghosts or losing her mind ... After an estrangement from her parents, Diana came to Martha's Vineyard to start a new life with her husband Ford and young daughter Samantha. The beautiful Victorian house that Ford inherited seemed the perfect home for a fresh beginning. But in the winter, when the tourists go home and the island is deserted, Diana is afraid she's going crazy. Specters of people long dead flicker in and out of her vision. The antique dolls in her house never stay where they're put. Samantha suddenly has a whole group of imaginary friends who live in the house and tell her terrible things. And Ford is becoming increasingly moody, unpredictable, and violent. While Diana investigates the horrifying history of the house, the past, the present, the living and the dead fatally intertwine, and Diana realizes she and her daughter must escape -- if Ford and the house will let her.

As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.

New York Times and worldwide bestselling author Isabel Allende returns with a sweeping novel that journeys from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil that offers “a timely message about immigration and the meaning of home” (People). During the biggest Brooklyn snowstorm in living memory, Richard Bowmaster, a lonely university professor in his sixties, hits the car of Evelyn Ortega, a young undocumented immigrant from Guatemala, and what at first seems an inconvenience takes a more serious turn when Evelyn comes to his house, seeking help. At a loss, the professor asks his tenant, Lucia Maraz, a fellow academic from Chile, for her advice. As these three lives intertwine, each will discover truths about how they have been shaped by the tragedies they witnessed, and Richard and Lucia will find unexpected, long overdue love. Allende returns here to themes that have propelled some of her finest work: political injustice, the art of survival, and the essential nature of—and our need for—love.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.