This was the Pulitzer Prize-winner's first new collection of poetry after a gap of nearly ten years. "I was to be a Watchful Eye; a Tuned Ear; a Super-reporter," Brooks said. "I began writing about whatever I thought I knew, whatever I experienced." What she knew and experienced in those years resulted in poetry charged with a new power and urgency. The book takes its title from a long narrative poem set in a huge decayed apartment house in Chicago's black ghetto, a building called the Mecca. A tragedy in the Mecca gives rise to Brooks' extraordinary poetic evocation of its dense personal miseries and sense of life. Nine shorter poems follow, and these too, in large part, have their source in contemporary figures and circumstances: Medgar Evers and Malcolm X, "the Blackstone Rangers gang," the astonishing prideful mural painted on a ghetto wall one summer. The universality that transcends the immediate event, and is the mark of poetic sensibility, distinguishes all the poetry here. Gwendolyn Brooks' stature as a poet who "induces almost unbearable excitement"--As Phyllis McGinley described her--is here enriched by the new dimensions her work encompasses.--Adapted from book jacket.

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on.

The events of 9/11 had a profound impact on American society, but they had an even more lasting effect on Muslims living in the United States. Once practically invisible, they suddenly found themselves overexposed. By describing how Islam in America began as a strange cultural object and is gradually sinking into familiarity, Finding Mecca in America illuminates the growing relationship between Islam and American culture as Muslims find a homeland in America. Rich in ethnographic detail, the book is an up-close account of how Islam takes its American shape. In this book, Mucahit Bilici traces American Muslims’ progress from outsiders to natives and from immigrants to citizens. Drawing on the philosophies of Simmel and Heidegger, Bilici develops a novel sociological approach and offers insights into the civil rights activities of Muslim Americans, their increasing efforts at interfaith dialogue, and the recent phenomenon of Muslim ethnic comedy. Theoretically sophisticated, Finding Mecca in America is both a portrait of American Islam and a groundbreaking study of what it means to feel at home.

“Wolfe does an exemplary job of detailing the ceremonies performed at Mecca and the reasons behind them . . . Highly recommended.” —Library Journal, starred review This updated and expanded edition of One Thousand Roads to Mecca collects significant works by observant travel writers from the East and West over the last ten centuries—including two new contemporary narratives—creating a comprehensive, multifaceted literary portrait of the enduring tradition. Since its inception in the seventh century, the pilgrimage to Mecca has been the central theme in a large body of Islamic travel literature. Beginning with the European Renaissance, it has also been the subject for a handful of adventurous writers from the West who, through conversion or connivance, managed to slip inside the walls of a city forbidden to non-Muslims. These very different literary traditions form distinct impressions of a spirited conversation in which Mecca is the common destination and Islam the common subject of inquiry. Along with an introduction by Reza Aslan, featured writers include Ibn Battuta, J. L. Burckhardt, Sir Richard Burton, the Begum of Bhopal, John F. Keane, Winifred Stegar, Muhammad Asad, Lady Evelyn Cobbald, Jalal Al-e Ahmad, and Malcolm X. One Thousand Roads to Mecca is a historically, geographically, and ethnically diverse collection of travel writing that adds substantially to the literature of Islam and the West. “Serves as an excellent introduction to a religion, people, culture, and philosophy.” —Santa Cruz Sentinel

For more than a century, the city of Atlanta has been associated with black achievement in education, business, politics, media, and music, earning it the nickname "the black Mecca." Atlanta's long tradition of black education dates back to Reconstruction, and produced an elite that flourished in spite of Jim Crow, rose to leadership during the civil rights movement, and then took power in the 1970s by building a coalition between white progressives, business interests, and black Atlantans. But as Maurice J. Hobson demonstrates, Atlanta's political leadership--from the election of Maynard Jackson, Atlanta's first black mayor, through the city's hosting of the 1996 Olympic Games--has consistently mishandled the black poor. Drawn from vivid primary sources and unnerving oral histories of working-class city-dwellers and hip-hop artists from Atlanta's underbelly, Hobson argues that Atlanta's political leadership has governed by bargaining with white business interests to the detriment of ordinary black Atlantans. In telling this history through the prism of the black New South and Atlanta politics, policy, and pop culture, Hobson portrays a striking schism between the black political elite and poor city-dwellers, complicating the long-held view of Atlanta as a mecca for black people.

One of The Washington Post's Ten Best Books of 2022. Finalist for the 2022 Kirkus Prize. One of the New York Times' 10 Best California Books of 2022 and one of NPR's Best Books of 2022. A New York Times Book Review Editors' Choice. "A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." —The New York Times Book Review From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing the intertwined lives of native Californians fighting for life and land Johnny Frías has California in his blood. A descendant of the state’s Indigenous people and Mexican settlers, he has Southern California’s forgotten towns and canyons in his soul. He spends his days as a highway patrolman pulling over speeders, ignoring their racist insults, and pushing past the trauma of his rookie year, when he killed a man assaulting a young woman named Bunny, who ran from the scene, leaving Johnny without a witness. But like the Santa Ana winds that every year bring the risk of fire, Johnny’s moment of action twenty years ago sparked a slow-burning chain of connections that unites a vibrant, complex cast of characters in ways they never see coming. In Mecca, the celebrated novelist Susan Straight crafts an unforgettable American epic, examining race, history, family, and destiny through the interlocking stories of a group of native Californians all gasping for air. With sensitivity, furor, and a cinematic scope that captures California in all its injustice, history, and glory, she tells a story of the American West through the eyes of the people who built it—and continue to sustain it. As the stakes get higher and the intertwined characters in Mecca slam against barrier after barrier, they find that when push comes to shove, it’s always better to push back.

Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry and music of Islam in Guyana, Trinidad, and Jamaica, combining archival research, ethnography, and literary analysis to argue for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean: from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth century Jamaica, to early twentieth century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the 1990 Jamaat al-Muslimeen attempted government coup in Trinidad and its calypso music, to judicial cases of contemporary interaction between Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the "fullaman," a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.