One of Vogue’s Best Books of the Year One of Esquire’s Best Books of the Year One of the Wall Street Journal’s Favorite Books of the Year One of the Most Anticipated Books of the Year: Vogue, Parade, Esquire, Bitch, and Maclean’s A New York Times and Washington Post Book to Watch A fiercely personal memoir about coming of age in the male-dominated literary world of the nineties, becoming the first female literary editor of Esquire, and Miller's personal and working relationship with David Foster Wallace A naive and idealistic twenty-two-year-old from the Midwest, Adrienne Miller got her lucky break when she was hired as an editorial assistant at GQ magazine in the mid-nineties. Even if its sensibilities were manifestly mid-century—the martinis, powerful male egos, and unquestioned authority of kings—GQ still seemed the red-hot center of the literary world. It was there that Miller began learning how to survive in a man’s world. Three years later, she forged her own path, becoming the first woman to take on the role of literary editor of Esquire, home to the male writers who had defined manhood itself— Hemingway, Mailer, and Carver. Up against this old world, she would soon discover that it wanted nothing to do with a “mere girl.” But this was also a unique moment in history that saw the rise of a new literary movement, as exemplified by McSweeney’s and the work of David Foster Wallace. A decade older than Miller, the mercurial Wallace would become the defining voice of a generation and the fiction writer she would work with most. He was her closest friend, confidant—and antagonist. Their intellectual and artistic exchange grew into a highly charged professional and personal relationship between the most prominent male writer of the era and a young woman still finding her voice. This memoir—a rich, dazzling story of power, ambition, and identity—ultimately asks the question “How does a young woman fit into this male culture and at what cost?” With great wit and deep intelligence, Miller presents an inspiring and moving portrayal of a young woman’s education in a land of men. “The memoir I’ve been waiting for: a bold, incisive, and illuminating story of a woman whose devotion to language and literature comes at a hideous cost. It’s Joanna Rakoff’s My Salinger Year updated for the age of She Said: a literary New York now long past; an intimate, fiercely realist portrait of a mythic literary figure; and now, a tender reckoning with possession, power, and what Jia Tolentino called the ‘Important, Inappropriate Literary Man.’ A poised and superbly perceptive narration of the problems of working with men, and of loving them.”— Eleanor Henderson, author of 10,000 Saints

Nelson's acclaimed second collection of short stories portrays women whose lives have slipped from their moorings and who are unsure about what direction to take, and the men who are unable to anchor or touch them.

Nine-year-old Suleiman is just awakening to the wider world beyond games on the hot pavement outside his home beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business - but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. In his father's worrying absence, Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood. And, as lies and fears intensify, it feels as if the walls of Suleiman's home will break with the secrets held within it.

The second book in the epic Ballantyne series Zouga was left alone, as alone in spirit as he had ever been in any of his wanderings across the vast African continent. He had spent almost the last penny he owned on these few square feet of yellow earth at the bottom of this hot and dusty pit. He had no men to help him work it, no experience, no capital.' A tribal battle. An Empire's war. Zouga Ballantyne has in his blood a fanatic's need to find diamonds, one that will take him to Southern Africa's most punishing places. Losing his wife to one of the many sicknesses that haunt the diamond mine camp, Zouga and his sons must find another way through the country, helping to build the British Empire, and developing their own form of civilisation in the face of tribal opposition. But the Ballantyne family success comes at a price -the sacrifice of the local Matabele tribe, who have tried to live alongside the colonists, but are slowly losing everything. In the face of exploitation, violence and greed, who will triumph in the land of ruthless men?

In 1993 journalist Silvana Paternostro discovered the startling fact that married, monogamous women in Brazil were at greater risk for AIDS than female prostitutes--because husbands have unprotected sex with other men. A compelling narrative, layered with history, careful research, and blistering social commentary, about a missing chapter in the annals of Latin American culture.

Gordon King becomes lost in Cambodia and comes upon a lost civilization, a Land of Hidden Men.

For too long we’ve lacked a compact, inexpensive, authoritative, and compulsively readable book that offers American readers a clear, informative, and inspiring narrative account of their country. Such a fresh retelling of the American story is especially needed today, to shape and deepen young Americans’ sense of the land they inhabit, help them to understand its roots and share in its memories, all the while equipping them for the privileges and responsibilities of citizenship in American society The existing texts simply fail to tell that story with energy and conviction. Too often they reflect a fragmented outlook that fails to convey to American readers the grand trajectory of their own history. This state of affairs cannot continue for long without producing serious consequences. A great nation needs and deserves a great and coherent narrative, as an expression of its own self-understanding and its aspirations; and it needs to be able to convey that narrative to its young effectively. Of course, it goes without saying that such a narrative cannot be a fairy tale of the past. It will not be convincing if it is not truthful. But as Land of Hope brilliantly shows, there is no contradiction between a truthful account of the American past and an inspiring one. Readers of Land of Hope will find both in its pages.