"Dinosaur Park" is a loving homage to the works of Jack Vance. Thousands of years from now, the human race has expanded throughout the galaxy, colonizing millions of worlds and creating myriads of bizarre new religious cults and sects. One of these worlds is Stohlson's Redemption, where the human settlers raise dinosaurs for their religious ceremonies. When the ten-year-old Kerryl Ryson creates an unseemly incident that upsets a visiting Important Person, his father is fed to a dinosaur -- as an object lesson in politeness -- and his remaining family are sold into slavery. For sixteen years Kerryl has plotted his revenge. Now, with the aid of a beautiful noblewoman, a time machine, a race of aliens who use the Mesozoic Era of Earth as a setting for adventure videos, and a stampede of ravaging dinosaurs, Kerryl gets his chance to even the interstellar score. But first he has to escape from several death sentences. . . . In fact, he must come back from the dead! "Space opera took a unique form in the hands of Jack Vance, as he transformed two-fisted swash-buckling to an artistry of pungent, subtle ironies. . . . [Dinosaur Park] is a very faithful effort, chock-a-block with poignant nomenclature, strange lands, and dinosaurs (cf The Dragon Masters), and featuring the requisite grim young hero out for revenge. " --Locus "This book is a screamingly funny sendup of Jack Vance's writing style by the author of ' Napoleon Disentimed' and the Chap Foey Rider stories in Analog magazine. If you are a Vance fan, do not miss it!" -- Raymond's Reviews "Of all the writers I discovered during my years as an editor, Hayford Peirce is the most original stylist and undoubtedly the one with the wickedest sense of humor." -- Ben Bova "Hayford Peirce is debonair, witty, and a keen student of the cosmopolis: all of which is reflected in his writing. He also displays a knack for seizing and holding a reader's attention: certainly he is among the most entertaining of all science-fiction writers." -- Jack Vance

Responding to the increasingly powerful presence of dystopian literature for young adults, this volume focuses on novels featuring a female protagonist who contends with societal and governmental threats at the same time that she is navigating the treacherous waters of young adulthood. The contributors relate the liminal nature of the female protagonist to liminality as a unifying feature of dystopian literature, literature for and about young women, and cultural expectations of adolescent womanhood. Divided into three sections, the collection investigates cultural assumptions and expectations of adolescent women, considers the various means of resistance and rebellion made available to and explored by female protagonists, and examines how the adolescent female protagonist is situated with respect to the groups and environments that surround her. In a series of thought-provoking essays on a wide range of writers that includes Libba Bray, Scott Westerfeld, Tahereh Mafi, Veronica Roth, Marissa Meyer, Ally Condie, and Suzanne Collins, the collection makes a convincing case for how this rebellious figure interrogates the competing constructions of adolescent womanhood in late-twentieth- and early twenty-first-century culture.

Emotional Ethics of The Hunger Games expands the ‘ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. ‘’The Hunger Games movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses The Hunger Games as key texts for understanding our world, demonstrating that ethics do not originate from rational considerations, far removed from those mucky things called emotions. But rather that emotions are at the core of cinematic ethics.” —William Brown, Author of Supercinema: Film-Philosophy for the Digital Age ‘’In this elegantly written exploration of the relationship between aesthetics and emotion in The Hunger Gamestrilogy, Tarja Laine illuminates the power of film to embody ethical conflict. Deftly interweaving film-philosophy and close analysis, Laine traces how these films mobilise complex emotions, nuancing our thinking about cinema and the spectator. Laine’s book takes The Hunger Games films seriously, demonstrating with verve why they matter.” —Catherine Wheatley, Senior Lecturer in Film Studies, King’s College London, UK ''In this fresh, engaging, and insightful study of The Hunger Games film trilogy, Tarja Laine explores the crucial role that emotions play in appreciation of the ethical qualities of the movies. She forges productive dialogues between a range of film theory, scholarship on moral philosophy, and debates on ethics, as she performs a multi-layered investigation of the aesthetic qualities of the trilogy, the multiple emotions embodied in these qualities, and the philosophical-ethical insights that are in turn embedded in these emotions. The cinematic connection between emotions and ethics that emerges through Laine’s detailed textual analyses confronts us with complex moral dilemmas while enriching our aesthetic experience.'' —Sarah Cooper, Professor, Film Studies Department, King's College London, UK

The greatly anticipated final book in the New York Times bestselling Hunger Games trilogy by Suzanne Collins. The greatly anticipated final book in the New York Times bestselling Hunger Games trilogy by Suzanne Collins.The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss Everdeen. The final book in The Hunger Games trilogy by Suzanne Collins will have hearts racing, pages turning, and everyone talking about one of the biggest and most talked-about books and authors in recent publishing history!