"There I was, standing alone, unable to cry as I said goodbye to Sidimé Laye, my best friend, and to the revolution that had opened the door of modernity for me--the revolution that had invented me." This book gives us the story of a quest for a childhood friend, for the past and present, and above all for an Africa that is struggling to find its future. In 1996 Manthia Diawara, a distinguished professor of film and literature in New York City, returns to Guinea, thirty-two years after he and his family were expelled from the newly liberated country. He is beginning work on a documentary about Sékou Touré, the dictator who was Guinea's first post-independence leader. Despite the years that have gone by, Diawara expects to be welcomed as an insider, and is shocked to discover that he is not. The Africa that Diawara finds is not the one on the verge of barbarism, as described in the Western press. Yet neither is it the Africa of his childhood, when the excitement of independence made everything seem possible for young Africans. His search for Sidimé Laye leads Diawara to profound meditations on Africa's culture. He suggests solutions that might overcome the stultifying legacy of colonialism and age-old social practices, yet that will mobilize indigenous strengths and energies. In the face of Africa's dilemmas, Diawara accords an important role to the culture of the diaspora as well as to traditional music and literature--to James Brown, Miles Davis, and Salif Kéita, to Richard Wright, Spike Lee, and the ancient epics of the griots. And Diawara's journey enlightens us in the most disarming way with humor, conversations, and well-told tales.

The author, one of the foremost scholars on Africa, fought to legitimise African history for more than 60 years. This book finally uncovers the tumultuous life of this great figure. Through a series of autobiographical essays, Clarke looks back on his lifelong struggle to restore African history to its proper place in the context of world history.

During years of travelling through North Africa, author Barnaby Rogerson has encountered a handful of stories so complicated that he could not place them into neat, tidy narratives. These are stories of characters who were neither distinctly good nor noticeably bad, neither malicious nor noble. In Search of Ancient North Africa is a journey into the ruins of a landscape to make sense of these stories through the multilayered lives of six individuals. Rogerson digs into the lives of Queen Dido, who was a sacrificial refugee; King Juba II, a prisoner of war who became a compliant tool of the Roman Empire; Septimius Severus, an unpromising provincial who, as its leader, brought his empire to its dazzling apogee; St. Augustine, an intellectual careerist who became a bishop and a saint; Hannibal, the greatest general the world has ever known; and Masinissa, the man who eventually defeated him. Together these six lives, clouded with as much myth as fact, are characters that represent classical North Africa. Among these life stories, we explore ruins and monuments tell of their lives and see the multiple connections that bind the culture of this region with the wider world, particularly the spiritual traditions of the ancient Near East. In Search of Ancient North Africa sheds new light on a time and place at the crossroads of numerous histories and cultures. It offers the first history of ancient North Africa told through the lives of North Africans themselves.

This important book by two leading scholars of Africa examines a series of issues that are central to the question of the postcolonial. The postcolonial paradigm, and the more recent decolonial paradigm, raise the issue of the universal: is the postcolonial the first phase of a new universalism, one which would be truly universal because it would be fully inclusive, or is it on the contrary the denial of all universalism, the triumph of the particular and of fragmentation? In addressing this issue Diagne and Amselle also tackle many related themes, such as the concepts of race, culture and identity, the role of languages in philosophy as practised in different cultural areas, the various conceptions of Islam, especially in West Africa, and the outlines of an Africa which can be thought of at the same time as singular and as plural. Each thinker looks back at his writings on these themes, comparing and contrasting them with those of his interlocutor. While Amselle seeks to expose the essentialist and culturalist logics that might underlie postcolonial and decolonial thought, Diagne consistently refuses to adopt the trappings of the Afrocentrist and particularist thinker. He argues instead for a total decentring of all thought, one that rejects all ‘centrisms’ and highlights instead branchings and connections, transfers, analogies and reciprocal influences between cultural places and intellectual fields that may be distant but are not distinct in space and time. This volume is a timely contribution to current debates on the postcolonial question and its new decolonial form. It will be of great interest to students and scholars in a variety of fields, from African studies and Black studies to philosophy, anthropology, sociology and cultural studies, as well as to anyone interested in the debates around postcolonial studies and decolonial thought

Chad, the fifth largest country in Africa, has experienced great difficulties politically, economically, and socially. During the 1980s and early 1990s, Chad briefly held international attention because of its warring with Libya. This situation underlines Chad's potential for drawing its neighbors-Libya, Sudan, Cameroon, and Nigeria in particular-a

The highly acclaimed author of "The Pharaoh's Shadow" offers a true account of the explorers who uncovered Africa's mysteries. Two 8-page color photo inserts.

Drink the Bitter Root is an international story about the ethical and environmental footprint world nations are leaving in Africa in their determined efforts to destabilize and loot the continent. In the spirit of Robert Kaplan and Samantha Power, Gary Geddes sets out in search of justice, healing and reconciliation. He begins his journey at the International Criminal Court in The Hague, then travels to Rwanda, Uganda, the Democratic Republic of Congo, Ethiopia and Somaliland, crossing Lake Victoria and the Great Rift Valley, where human life began. Geddes's quest takes the form of an intimate personal travelogue. Although he confronts the dark realities of abduction, rape, mutilation and murder, drawing on painful encounters, interviews and adventures that occur along the way, Geddes also brings back amazing stories of survival and unexpected moments of grace. His poet's eye and self–deprecating humor draw us ever more deeply into the lives of some amazing Africans, while never forgetting the complicity we all feel in the face of tragic events unfolding there. In the words of author and Africanist Ian Smillie, Drink the Bitter Root is not only poignant, literate and funny, but also "a deeply textured journey without maps into the unexplored rifts of sub–Saharan Africa, the human experience, and the psyche. It's also the masterful handling of a full palette."