This book makes an intensive study of James Phelan's rhetorical theory of narrative. Apart from illustrating six basic principles in doing rhetorical theory of narrative, the author examines six major issues which are central to Phelan's rhetorical poetics, namely, focalization, character narration, unreliable narration, narrative progression, narrative judgments, and narrative ethics. For each narratological concept, the author minutely conducts a genealogical study to make the review work complete. The book not only compares Phelan's rhetorical narratology with classical narratology but also with other strands of postclassical narratology. A detailed bibliography makes this book a compendium of narrative theory which is of relevance for scholars and students of all literary disciplines.

This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which "narratives traverse their often unlikely routes from beginning to end." It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Other major contributions include Edward Said on beginnings, Hayden White on historical narrative, Peter Brooks on plot, Paul Ricoeur on time, D. A. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present.

Are Paul's letters undergirded and informed by key narratives, and does a heightened awareness of those narratives help us to gain a richer and more rounded understanding of Paul's theology? The last two decades of the twentieth century witnessed an increasing interest in the narrative features of Paul's thought. A variety of studies since that period have advanced "story" as an integral and generative ingredient in Paul's theological formulations. In this book, a team of leading Pauline scholars assesses the strengths and weaknesses of a narrative approach, looking in detail at its application to particular Pauline texts.

"The Pursuit of Something Betters tells the story of the transformation of a thoroughly ordinary company -- U.S. Cellular, ranked eighth in its rapidly consolidating industry and in danger of extinction -- into a powerhouse of innovation, extraordinary customer loyalty, and unprecedented employee satisfaction."-- Back cover

When narrative is discussed, it is usually in terms of structure. But equally important are the forces that determine and drive the structure. These Narrative Dynamics provide the tools for devising, manipulating and disrupting narrative.In this book, co-creator of the Dramatica Theory of Story (Melanie Anne Phillips) lays out the cutting edge development of a new theory of narrative dynamics, and how it reflects not only the potentials of fiction, but the motivational drivers of real world actions and interactions.

The Routledge Companion to Narrative Theory brings together top scholars in the field to explore the significance of narrative to pressing social, cultural, and theoretical issues. How does narrative both inform and limit the way we think today? From conspiracy theories and social media movements to racial politics and climate change future scenarios, the reach is broad. This volume is distinctive for addressing the complicated relations between the interdisciplinary narrative turn in the academy and the contemporary boom of instrumental storytelling in the public sphere. The scholars collected here explore new theories of causality, experientiality, and fictionality; challenge normative modes of storytelling; and offer polemical accounts of narrative fiction, nonfiction, and video games. Drawing upon the latest research in areas from cognitive sciences to complexity theory, the volume provides an accessible entry point for those new to the myriad applications of narrative theory and a point of departure for new scholarship.