The Author sheds important new light on addiction, so that both individuals and professionals can make more informed choices. Drawing on extensive research with drug users and his rehabilitation work as a psychologist, Ron Dunselman offers remarkable insights into: why drugs are so attractive to users; the origin and history of drugs; detailed descriptions of the physical and psychological effects of each drug; how drugs undermine personal identity.

In the Self's Place is an original phenomenological reading of Augustine that considers his engagement with notions of identity in Confessions. Using the Augustinian experience of confessio, Jean-Luc Marion develops a model of selfhood that examines this experience in light of the whole of the Augustinian corpus. Towards this end, Marion engages with noteworthy modern and postmodern analyses of Augustine's most "experiential" work, including the critical commentaries of Jacques Derrida, Martin Heidegger, and Ludwig Wittgenstein. Marion ultimately concludes that Augustine has preceded postmodernity in exploring an excess of the self over and beyond itself, and in using this alterity of the self to itself, as a driving force for creative relations with God, the world, and others. This reading establishes striking connections between accounts of selfhood across the fields of contemporary philosophy, literary studies, and Augustine's early Christianity.

In recent times, there has been a substantial push by people to escape the metropolis for lifestyles in small coastal, country, or mountainside locales. This book explores the narratives emerging from amenity-left migration using methods developed within the 'strong' cultural sociology.

Through Healthy Sense of Self, LLC, Antoinetta offers education on what can go wrong with our relationship to self and others, when, in early childhood, we are not acknowledged as the (potentially) autonomous person we are. She has developed exercises and techniques to overcome the effects of this condition.

When it comes to migration, there is no level playing field. Some people are privileged, advantaged, and supported and others are marginalised, persecuted, and traumatised. The extension of the rights and equalities for which many people advocate, and provision of other extrinsic conditions are insufficient for wellbeing. This work asks: what is sufficient? What is it that people do—and can do—to change their experience from suffering to wellbeing when handling challenges of migration and other mobilities? What helps people when they are migrating? What have migrants experienced and learned that could be useful to others facing challenges of mobility and change? How can this learning be applied to promote greater social wellbeing and care of environments, in an increasingly mobile world? Mobilities of Self and Place documents rich conversations with regular migrants and refugees to critically consider migration history, human rights, place, self, and mobilities studies. The work explores ontological and epistemological questions of sense of self, sense of place, identity and agency. Mahni Dugan helps us understand how the relationship between sense of place and sense of self affects the ability of migrants to relocate with wellbeing. The movement from global to local, social to personal, intellectual to experiential offers a broad societal understanding of the phenomena and challenges of contemporary mobilities.

A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.

Reveals why the domestic interior figured prominently in visual culture from the 1850s to 1920s.