In Our Own Words takes the unique approach of using student writing as a resource for writing instruction and idea development. The defining characteristic of this unique high-intermediate to advanced writing text is the use of non-native student writing to teach writing. This feature makes the text easily accessible to and popular with students. The third edition features 15 new readings by student writers, five new readings by professional writers, updated writing topics, Internet activities to support the writing process, and contextualized revising and editing activities.

Student Writing Tutors in Their Own Words collects personal narratives from writing tutors around the world, providing tutors, faculty, and writing center professionals with a diverse and experience-based understanding of the writing support process. Filling a major gap in the research on writing center theory, first-year writing pedagogy, and higher education academic support resources, this book provides narrative evidence of students' own experiences with learning assistance discourse communities. It features a variety of voices that address how academic support resources such as writing centers have served as the nucleus for students' (i.e., both tutors and their clients) sense of community and self, ultimately providing a space for freedom of discourse and expression. It includes narratives from writing tutors supporting students in unconventional spaces such as prisons, tutors offering support in war-torn countries, and students in international centers facing challenges of distance learning, access, and language barriers. The essays in this collection reveal pedagogical takeaways and insights about both student and tutor collaborative experiences in writing center spaces. These essays are a valuable resource for student writing tutors and anyone involved with them, including composition instructors and scholars, writing center professionals, and any faculty or administrators involved with academic support programs.

In Our Own Words takes the unique approach of using student writing as a resource for writing instruction and idea development. The Teacher's Manual clearly articulates the guiding principles on which the Student's Book is based. The book also provides helpful teaching suggestions and tips. Answers for select activities in the Student's Book are given.

Words in Motion is a practical writing text in which students learn to enjoy writing as a process of creating, sharing, and revising while working together in pairs and groups. Students are given the opportunity to experience many different types of writing including letters, reviews, and stories.

If educational reform is to succeed, it must attend to the perspectives of students--those most directly affected by schooling but least often consulted about its efficacy. This is the premise of the first book both to feature student perspectives on school and to foreground student voices; middle and high school students are the primary authors of the eight chapters collected in this volume aptly titled In Our Own Words. Reflecting differences of gender, racial, and ethnic background, and school context, the student authors write passionately and eloquently about their experiences of and desires for school. Through their explorations of topics as diverse as bilingual education, class cutting, teacher bias, race relations in school, what girls need from their education, and innovative curricular models, these student authors not only counter stereotypes of apathetic teenagers but also clearly identify what hinders and what supports their learning. For both the insights offered and the freshness of the students' voices, this collection is a must read for anyone who has a stake in making school a place where students can and want to learn.

This innovative rhetoric uses the best writing of former ESL students as well as professional essays to help students learn the process of personal and academic writing.

In today's American college classrooms, more and more international students are enrolling at a rapid pace. This happened in my classroom sevearl years ago. I had taught for over twenty years at the time, but I did not know how to approach these students who possessed varying levels of English proficiency. My traditional methods did not work, and all I could do was speak louder-as if an increased volume would increase their learning. Because I considered teaching a vocation, I did not want to give up. Instead, I enrolled in a doctoral program in Adult Education and chose Teaching English as a Second Language as my Cognate. In one of my doctoral classes, I had to do a research project. I decided to conduct interviews with my new students and simply ask them how they prefrred to learn how to speak and write in english. The results fascinated me! Based on what they told me and what I found in the literature, I totally revamped my composition classes. Gone were the days of lecture! Instead, with student input, I created a film based approach to teaching writing that seemed to emancipate my students, and they became proficient writers of English! Along the way, I was emancipated, too, and I knew that my classes would never be the same. This book is a result of my experience, and I hope it can be used as a jumping off point for positive change for any college composition teacher who truly cares if their students learn!