Every city has a hood, and every hood has a drug-infested corner. As a once successful businesswoman, Desiree "Rae-Rae" Johnson use to avoid driving through that section of the neighborhood--until she fell on hard times. After becoming a crack addict, she starts living with her soul mate Bilal "Bunchy" Wilson, the man who introduced her to cocaine. After witnessing a double murder and struggling to survive the everyday dramas to support their drug habits, they manage to pull off one of the biggest robberies in New Jersey's history. Bilal is sentenced to life for murder and armed robbery and meets his sudden death in prison, leaving Desiree to face the demons of her past alone. After turning her life around, she meets one of the top men in the game, Ishmael Jenkins, and falls for him, not knowing his secret past. Ishmael is comfortable in his position in the hood and falls for Desiree just as hard. All hell breaks loose as Ishmael's loyalty is tested and Desiree struggles to maintain her sobriety. Between love, murder and a possible relapse, will they survive? Or will they be another statistic in this society in which we live? Have you seen this in your hood? Well, this is what happened In My 'Hood.

Winter is here and it's time to put on your gloves and mittens and scarf and hat and... Only award-winning poet Karla Kuskin and illustrator Fumi Kosaka could make bundling up for the snow so much fun!

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.

Highlighting how children living in poverty-stricken areas find ways to succeed, even when surrounded by seemingly insurmountable hardships, There is Good in My Hood illustrates the realities of the environment of impoverished families and demonstrates there is always hope, sometimes just around the corner. Author Dr. Shanta Barton-Stubbs narrates the story of a young man making decisions that will affect the rest of his life, describing the challenges he faces in realistic and relatable language. It features the New Image Youth Center, a community resource center that can change the lives of families forever. Based on real stories of real people, this picture book for children also offers poems written by the staff and board members of the New Image Youth Center; the works give deeper perspective about the purpose of the organization. Theres Good in My Hood takes an honest look at how organizations like the New Image Youth Center can affect the lives of kids and families in poverty-stricken areas, as well as modeling healthy decision making.

A New York Times Best Seller "Essential reading for all adults who work with black and brown young people...Filled with exceptional intellectual sophistication and necessary wisdom for the future of education."—Imani Perry, National Book Award Winner author of South To America An award-winning educator offers a much-needed antidote to traditional top-down pedagogy and promises to radically reframe the landscape of urban education for the better Drawing on his own experience of feeling undervalued and invisible in classrooms as a young man of color, Dr. Christopher Emdin has merged his experiences with more than a decade of teaching and researching in urban America. He takes to task the perception of urban youth of color as unteachable, and he challenges educators to embrace and respect each student’s culture and to reimagine the classroom as a site where roles are reversed and students become the experts in their own learning. Putting forth his theory of Reality Pedagogy, Emdin provides practical tools to unleash the brilliance and eagerness of youth and educators alike—both of whom have been typecast and stymied by outdated modes of thinking about urban education. With this fresh and engaging new pedagogical vision, Emdin demonstrates the importance of creating a family structure and building communities within the classroom, using culturally relevant strategies like hip-hop music and call-and-response, and connecting the experiences of urban youth to indigenous populations globally. Merging real stories with theory, research, and practice, Emdin demonstrates how by implementing the “Seven Cs” of reality pedagogy in their own classrooms, urban youth of color benefit from truly transformative education.

The streets of Newark have never been as cutthroat as in Endy's third installment of her In My Hood epic. Just when the hood seems at momentary peace, the emergence of an enigmatic hit-woman known as the Black Widow jolts everyone back to attention when she marks one of the hood's dignitaries as her target. But she's not done. She's on the hunt, out for blood, and relentless in her pursuit to right the wrongs committed against her family. Ishmael and Desiree's fifteen-year-old son Nyeem is trying to step out of his father's shadow and avoid becoming another casualty of the hustle. Escaping from his heritage becomes especially troublesome, however, when his world is shaken to its core by an extraordinary turn of events. The fall of the head hustler in town conjures up droves of backstabbers, small-timers on the come-up, and young Nyeem facing a grown man's decision just to survive.

With 6 starred reviews, 8 best of the year lists, and over 20 state award nominations, everyone is raving about Mirror Mirror! "Remarkable."—The Washington Post "This mind-bending poetry is accompanied by Masse's equally intelligent, equally amusing art."—Time Out New York for Kids What’s brewing when two favorites—poetry and fairy tales—are turned (literally) on their heads? It’s a revolutionary recipe: an infectious new genre of poetry and a lovably modern take on classic stories. First, read the poems forward (how old-fashioned!), then reverse the lines and read again to give familiar tales, from Sleeping Beauty to that Charming Prince, a delicious new spin. Witty, irreverent, and warm, this gorgeously illustrated and utterly unique offering holds a mirror up to language and fairy tales, and renews the fun and magic of both.