"A king can't be a king without the strength of his queen." After Dez is arrested, Karter is stuck on the outside trying to hold it all together, not only for herself, but for her unborn child as well. When it feels like the universe is working against her, can Karter keep her head above water? Or, will her constant stress and worrying cost her and Dez the one thing they both so desire, a child? Dez's first priority is always to protect his family, even when he's not in the best position to do so. But, with a detective on his back with an ax to grind, can Dez stay a free man? Or, will he have to get his hands dirty one last time to show why he was the king to begin with? "You'll never make it anywhere in life without a degree." The words her father said to her still rang strong in Melodee's ears, even eight years later. Setting out to prove her parents wrong, Melodee focuses on doing what she has to do to secure her future. But, will she allow Dame to step in help, or will her 'I can do it myself' attitude run him away? In this final installment, this crew is struggling to keep the family together. But, one thing about the Wright brothers, they always have some tricks up their sleeves, and for the women they love, they'll paint the town red. Find out why Karter and Melodee are still in love with the King of Chicago.

The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.

The King of Chicago is the story of a father-son relationship as real and hugely loving as that in Philip Roth’s Patrimony. At its heart is a young son who tries furiously to heal his father from a violent childhood inside a Chicago orphanage. The orphanage, the Marks Nathan Home, still stands today on the West Side of Chicago, marked by a tarnished, barely legible plaque. Once home to 14,000 Jewish orphans, it is now just another barely remembered relic of a great city. Using original articles from the orphanage newspaper, Friedman attempts to reconstruct and understand his father’s childhood, a time that his father never discussed. Expanding its reach, The King of Chicago becomes a multigenerational saga of Jewish life, moving from a mysterious little man named Kasiel, who arrived in the Port of Baltimore in 1903 with two dollars to his name, to the factory floor of a scrap paper business, a golf course where children played without knowing the rules, and a home on the North Shore among fellow immigrants looking for something better for their children. At its core, this memoir is both a snapshot of immigrant life in Chicago in the early twentieth century and a poignant reminder about the need to never forget who you are and where you come from.

On the trip of a lifetime, Adam and Zayneb must find their way back to each other in this surprising and romantic sequel to the “bighearted, wildly charming” (Becky Albertalli, New York Times bestselling author) Love from A to Z that’s a “contemplative exploration of faith, love, and the human condition” (Kirkus Reviews, starred review). Adam and Zayneb. Perfectly matched. Painfully apart. Adam is in Doha, Qatar, making a map of the Hijra, a historic migration from Mecca to Medina, and worried about where his next paycheck will come from. Zayneb is in Chicago, where school and extracurricular stresses are piling on top of a terrible frenemy situation, making her miserable. Then a marvel occurs: Adam and Zayneb get the chance to spend Thanksgiving week on the Umrah, a pilgrimage to Mecca and Medina, in Saudi Arabia. Adam is thrilled; it’s the reboot he needs and an opportunity to pray for a hijra in real life: to migrate to Zayneb in Chicago. Zayneb balks at the trip at first, having envisioned another kind of vacation, but then decides a spiritual reset is calling her name too. And they can’t wait to see each other—surely, this is just what they both need. But the trip is nothing like what they expect, from the appearance of Adam’s former love interest in their traveling group to the anxiety gripping Zayneb when she’s supposed to be “spiritual.” As one wedge after another drives them apart while they make their way through rites in the holy city, Adam and Zayneb start to wonder: was their meeting just an oddity after all? Or can their love transcend everything else like the greatest marvels of the world?

2021 BRAM STOKER AWARD NOMINEE FOR SUPERIOR ACHIEVEMENT IN A NOVEL 2021 INTERNATIONAL LATINO BOOK AWARD WINNER "GUARANTEED TO MAKE YOUR HEART THUMP AND SKIN CRAWL”—The New York Times A gripping, modern-day spin on the Pied Piper fairy tale, as well as a gritty love letter to the underworld of Chicago from acclaimed Bram Stoker nominee Cynthia Pelayo. Reminiscent of the Bloody Mary urban legend, the Pied Piper’s story can be tracked back to the deaths of children for centuries and across the world—call to him for help with your problems, but beware when he comes back asking for payment. Chicago detective Lauren Medina’s latest call brings her to investigate a brutally murdered teenager in Humboldt Park—a crime eerily similar to the murder of her sister decades before. Unlike her straight-laced partner, she recognizes the crime, and the new graffiti popping up all over the city, for what it really means: the Pied Piper has returned. When more children are found dead, Lauren is certain her suspicion is correct. Still reeling from the recent death of her father, she knows she must find out who has summoned him again, and why, before more people die. Lauren’s torn between protecting the city she has sworn to keep safe, and keeping a promise she made long ago with her sister’s murderer. She may have to ruin her life by exposing her secrets and lies to stop the Pied Piper before he collects.

WINNER OF THE 2024 PULITZER PRIZE FOR BIOGRAPHY A finalist for the 2023 National Book Critics Circle Award | Named one of the ten best books of 2023 by The Washington Post, Chicago Tribune, and Time A New York Times bestseller and notable book of 2023 | One of Barack Obama's favorite books of 2023 One of The New Yorker's essential reads of 2023 | A Christian Science Monitor best book of the year | One of Air Mail's twelve best books of 2023 A Washington Post and National Indie Bestseller | One of Publishers Weekly's best nonfiction books of 2023 | One of Smithsonian magazine's ten best books of 2023 “Supple, penetrating, heartstring-pulling and compulsively readable . . . Eig’s book is worthy of its subject.” —Dwight Garner, The New York Times (Editors’ Choice) “[King is] infused with the narrative energy of a thriller . . . The most compelling account of King’s life in a generation.” —Mark Whitaker, The Washington Post “No book could be more timely than Jonathan Eig’s sweeping and majestic new King . . . Eig has created 2023′s most vital tome.” —Will Bunch, The Philadelphia Inquirer Hailed by The New York Times as “the new definitive biography,” King mixes revelatory new research with accessible storytelling to offer an MLK for our times. Vividly written and exhaustively researched, Jonathan Eig’s King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.—and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father—as well as the nation’s most mourned martyr. In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime. Includes 8 pages of black-and-white photographs

“[A] whimsical book on aging . . . the author mixes art, science, and humor to brew a highly readable concoction, presenting one aging theory after another.” —Publishers Weekly Everything that lives will die. That’s the fundamental fact of life. But not everyone dies at the same age: people vary wildly in their patterns of aging and their life spans—and that variation is nothing compared to what’s found in other animal and plant species. With The Long and the Short of It, biologist and writer Jonathan Silvertown offers readers a witty and fascinating tour through the scientific study of longevity and aging. Dividing his daunting subject by theme—death, life span, aging, heredity, evolution, and more—Silvertown draws on the latest scientific developments to paint a picture of what we know about how life span, senescence, and death vary within and across species. At every turn, he addresses fascinating questions that have far-reaching implications: What causes aging, and what determines the length of an individual life? What changes have caused the average human life span to increase so dramatically—fifteen minutes per hour—in the past two centuries? If evolution favors those who leave the most descendants, why haven’t we evolved to be immortal? The answers to these puzzles and more emerge from close examination of the whole natural history of life span and aging, from fruit flies, nematodes, redwoods, and much more. The Long and the Short of It pairs a perpetually fascinating topic with a wholly engaging writer, and the result is a supremely accessible book that will reward curious readers of all ages. “Captivating and enlightening.” —The New York Times Well Blog