Land is often known by the names of past owners. "Emma's Land", "Gina's quarter", and "the Ingeborg Land" are reminders of the many women who homesteaded across North Dakota in the late nineteenth and early twentieth centuries. Land in Her Own Name records these homesteaders' experiences as revealed in interviews with surviving homesteaders and their families and friends, land records, letters, and diaries. These women's fascinating accounts tell of locating a claim, erecting a shelter, and living on the prairie. Their ethnic backgrounds include Yankee, Scandinavian, German, and German-Russian, as well as African-American, Jewish, and Lebanese. Some were barely twenty-one, while others had reached their sixties. A few lived on their land for life and "never borrowed a cent against it"; others sold or rented the land to start a small business or to provide money for education.

This book tells the history of changes, from 1836 to the present, that have helped women in South Australia move from subordination towards equality. The achievement of women's suffrage in 1894, after an intensive struggle, was central to their emancipation.

Co-Winner, 2024 V.O. Key Award, Southern Political Science Association Long before American women had the right to vote, states dramatically transformed their status as economic citizens. In the early nineteenth century, a married woman had hardly any legal existence apart from her husband. By the twentieth, state-level statutes, constitutional provisions, and court rulings had granted married women a host of protections relating to ownership and control of property. Why did powerful men extend these rights during a period when women had so little political sway? In Her Own Name explores the origins and consequences of laws guaranteeing married women’s property rights, focusing on the people and institutions that shaped them. Sara Chatfield demonstrates that the motives of male elites included personal interests, benefits to the larger economy, and bolstering state power. She shows that married women’s property rights could serve varied political goals across regions and eras, from temperance to debt relief to settlement of the West. State legislatures, constitutional conventions, and courts expanded these rights incrementally, and laws spread across the country without national-level coordination. Chatfield emphasizes that the reform of married women’s economic rights rested on exclusionary foundations, including protecting slavery and encouraging settler colonialism. Although some women benefited from property reforms, many others saw their rights stripped away by the same processes. Drawing on a mix of qualitative and quantitative evidence, In Her Own Name sheds new light on the place of women in the fitful democratization of the United States.

A 2019 Caldecott Honor Book What’s in a name? For one little girl, her very long name tells the vibrant story of where she came from — and who she may one day be. If you ask her, Alma Sofia Esperanza José Pura Candela has way too many names: six! How did such a small person wind up with such a large name? Alma turns to Daddy for an answer and learns of Sofia, the grandmother who loved books and flowers; Esperanza, the great-grandmother who longed to travel; José, the grandfather who was an artist; and other namesakes, too. As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.

Based on the life of Marie Dorion, the first mother to cross the Rocky Mountains and remain in the Northwest, A Name of Her Own is the fictionalized adventure account of a real woman’s fight to settle in a new landscape, survive in a nation at war, protect her sons and raise them well and, despite an abusive, alcoholic husband, keep her marriage together. With two rambunctious young sons to raise, Marie Dorion refuses to be left behind in St. Louis when her husband heads West with the Wilson Hunt Astoria expedition of 1811. Faced with hostile landscapes, an untried expedition leader, and her volatile husband, Marie finds that the daring act she hoped would bind her family together may in the end tear them apart. On the journey, Marie meets up with the famous Lewis and Clark interpreter, Sacagawea. Both are Indian women married to mixed-blood men of French Canadian and Indian descent, both are pregnant, both traveled with expeditions led by white men, and both are raising sons in a white world. Together, the women forge a friendship that will strengthen and uphold Marie long after they part, even as she faces the greatest crisis of her life, and as she fights for her family’s very survival with the courage and gritty determination that can only be fueled by a mother’s love.

A NEW YORK TIMES BESTSELLER "Know My Name is a gut-punch, and in the end, somehow, also blessedly hopeful." --Washington Post Universally acclaimed, rapturously reviewed, and an instant New York Times bestseller, Chanel Miller's breathtaking memoir "gives readers the privilege of knowing her not just as Emily Doe, but as Chanel Miller the writer, the artist, the survivor, the fighter." (The Wrap). Her story of trauma and transcendence illuminates a culture biased to protect perpetrators, indicting a criminal justice system designed to fail the most vulnerable, and, ultimately, shining with the courage required to move through suffering and live a full and beautiful life. Know My Name will forever transform the way we think about sexual assault, challenging our beliefs about what is acceptable and speaking truth to the tumultuous reality of healing. Entwining pain, resilience, and humor, this memoir will stand as a modern classic.

A heartwarming story about the new girl in school, and how she learns to appreciate her Korean name. Being the new kid in school is hard enough, but what happens when nobody can pronounce your name? Having just moved from Korea, Unhei is anxious about fitting in. So instead of introducing herself on the first day of school, she decides to choose an American name from a glass jar. But while Unhei thinks of being a Suzy, Laura, or Amanda, nothing feels right. With the help of a new friend, Unhei will learn that the best name is her own. From acclaimed creator Yangsook Choi comes the bestselling classic about finding the courage to be yourself and being proud of your background.