Greenwich Village became America’s first Bohemia around 1910, attracting artists and sculptors, novelists and poets, anarchists and socialists because the rents were low. This book is the best evocation of the spirit of that time, written by someone who was there.

In this charming fiction debut, a young woman moves to Manhattan in search of romance and excitement—only to find that her apartment is haunted by the ghost of a cantankerous Beat Generation writer in need of a rather huge favor. For Eve Weldon, moving to Greenwich Village is a dream come true. She’s following in the bohemian footsteps of her mother, who lived there during the early sixties among a lively community of Beat artists and writers. But when Eve arrives, the only scribe she meets is a grumpy ghost named Donald, and the only writing she manages to do is for chirpy segments on a morning news program, Smell the Coffee. The hypercompetitive network environment is a far cry from the genial camaraderie of her mother’s literary scene, and Eve begins to wonder if the world she sought has faded from existence. But as she struggles to balance her new job, demands from Donald to help him complete his life’s work, a budding friendship with a legendary fashion designer, and a search for clues to her mother’s past, Eve begins to realize that community comes in many forms—and that the true magic of the Village is very much alive, though it may reveal itself in surprising ways.

Ellie Allington is a successful Manhattan real estate broker. On the summer evening that she hosts dozens of guests for her husband Patrick's birthday, she decides she will no longer live with his infidelities. This determination begins to replace years of loneliness and depression with anger and the strength to find herself again. A few days after the party she receives a call from Valeria, apparently about real estate, inviting her to a nearby loft. However, Valeria has other, mysterious reasons for making contact. Ellie finds herself drawn to this delicate, beautiful woman and at Valeria's request prolongs her visit. That decision is a fateful one. When the actual owner arrives, he is accompanied by Antonio, a retired police detective. The power of Ellie's attraction to Antonio startles and overwhelms her. As their relationship begins, both of them are drawn into the web of Valeria's troubled past. This is a story about relationships-Ellie's relationships with her family, her tenants, real estate, and her ill-fated friendship with Valeria. It is the story of a woman rediscovering her strengths, her passion, herself. Most of all, it is a love story.

“Detective Jane Bauer is a most welcome addition to the ranks of fictional cops.” –Peter Robinson When NYPD detective Jane Bauer and her team check in for their new assignment, they reopen a cold case that’s a real killer. Ten years earlier, police responding to a spate of late-night 911 calls from Greenwich Village discovered a young African American undercover cop, Micah Anthony, shot dead on Waverly Place. The killer left no clues, and the murder remains an inscrutable mystery . . . except for two things: Anthony had infiltrated a lucrative gun-trading operation in the city, and it seemed likely that he knew and trusted the killer. So begins an investigation that leads Jane from Village brownstones to middle-class Queens, from wealthy Sutton Place to sinister subway tunnels, as a mastermind of murder resumes operations–and every path is mined with menace. “Harris knows a lot about cops and a lot about women and she knows how to plot a good mystery.” –Stephen Greenleaf

In often dreamlike peregrinations around his home towns of Liverpool, London and New York Andy Merrifield reflects on what cities mean to us and how they shape the way we think. As he wanders, Merrifield’s reveries circle questions: Can we talk about cities in the absolute, discovering their essence beneath the particulars? Is it possible truly to love or hate a city, to experience it carnally or viscerally? Might we find true love in the city? Merrifield does find love in the city: with his future wife, whom he takes on a date to see his hero Spalding Gray’s “It’s a Slippery Slope” at London’s South Bank and soon after moves in with, to a tiny place in Bloomsbury where they celebrate the brilliance of new romance by painting the walls turquoise and gold. And for the fellow urbanist Marshall Berman, another working class boy who went up to Oxford. Berman takes Merrifield under his wing and shows him the thrills available in Dostoevsky and Marx over cups of coffee in ordinary cafes on New York City’s Upper West Side. The mood music to these love affairs is provided by a rich repertoire of intellects, from Jane Jacobs to Mike Davis, from Louis Malle to Walter Benjamin. John Lennon, a pupil, like Merrifield, at Quarry Bank school in Liverpool, enters the story; so too the novelist and critic John Berger. And providing tonality throughout is the stripped down, razor honed talk about love in the stories of Raymond Carver. Andy Merrifield is the author of ten books including works on urbanism and social theory such as The New Urban Question and Magical Marxism, biographies of Henri Lefebvre, Guy Debord and John Berger, a popular travelogue, The Wisdom of Donkeys, and a manifesto for liberated living, The Amateur. His journalism has appeared in the Nation, Harper’s, Adbusters, New Left Review, Dissent, the Brooklyn Rail, and Radical Philosophy.