Eight stories portray the world of the New York intellectual during the 1930s and 40s, probing the conflict between ambitious, educated youths and their immigrant parents.

Delmore Schwartz (1913-1966) was one of the finest writers of his generation. Winner of the prestigious Bollingen prize and the Poetry Society of America's Shelley Memorial Award, he was hailed by John Ashbery as one of the major twentieth-century poets. Schwartz's stories were also widely read and loved, admired by James Atlas for their unique style that enabled Schwartz to depict his characters with a sort of childlike verisimilitude. Graced with an introduction by Cynthia Ozick, this New Directions Bibelot, Screeno: Stories and Poems, gathers many of Schwartz's most popular stories and poems, including: Screeno, In Dreams Begin Responsibilities, America, America and The Heavy Bear who Goes with Me. Also included is a newly discovered story, The Heights of Joy, which appeared in the magazine Boulevard in 2002. Delmore Schwartz's life is legendary; yet it is his work that endures: What complicates and enriches Schwartz's comedy, says Irving Howe, is, I think, a reaching out toward nobility, a shy aspiring spirituality, a moment or two of achieved purity of feeling.

"Every point of view, every kind of knowledge and every kind of experience is limited and ignorant: nevertheless so far as l know, this volume seems to me to be as representative as it could be.---Delmore Schwartz

Delmore Schwartz: The Life of an American Poet is based on interviews, letters, and an extraordinary collection of unpublished papers that had never before been examined. Delmore Schwartz was only twenty-four in 1938 when his first book, In Dreams Begin Responsibilities, was published. He received praise from T. S. Eliot, Ezra Pound, Allen Tate, John Crowe Ransom, Wallace Stevens, and William Carlos Williams. For Tate, it was “the only genuine innovation we’ve had since Eliot and Pound.” A decade later, the short-story collection The World Is a Wedding was published; many critics characterized it as the definitive portrait of their generation. In this biography, the first about the man whom John Berryman called “the most underrated poet of the twentieth century,” James Atlas traces Schwartz’s history, from the arrival of his Romanian ancestors in New York, to his youth in Washington Heights, to his career at Harvard as a graduate student in philosophy, and onward to the flowering of his generation in the '40s, when he and the critics, poets, and novelists who were his friends made their reputations. Schwartz’s brilliant satires of his friends and acquaintances, his autobiographical stories, and his letters to his illustrious peers contribute to this vivid portrait of an era—and of that era’s most trenchant chronicler.

"This is a writer whose language explores the range of life."--Bette Peretsky "Large in scope and meaning and unforgettable."--William Harrison

Drawn from the poet's collected papers at Yale University, these humorous essays touch on topics including taking baths and the meaning of existentialism, the abominations of the telephone, theories of Hamlet's behavior and Don Giovanni's promiscuity, and divorce.