What really happened to Dr. David Livingstone? The New York Times bestselling coauthor of Survivor: The Ultimate Game investigates in this thrilling account. With the utterance of a single line—“Doctor Livingstone, I presume?”—a remote meeting in the heart of Africa was transformed into one of the most famous encounters in exploration history. But the true story behind Dr. David Livingstone and journalist Henry Morton Stanley is one that has escaped telling. Into Africa is an extraordinarily researched account of a thrilling adventure—defined by alarming foolishness, intense courage, and raw human achievement. In the mid-1860s, exploration had reached a plateau. The seas and continents had been mapped, the globe circumnavigated. Yet one vexing puzzle remained unsolved: what was the source of the mighty Nile river? Aiming to settle the mystery once and for all, Great Britain called upon its legendary explorer, Dr. David Livingstone, who had spent years in Africa as a missionary. In March 1866, Livingstone steered a massive expedition into the heart of Africa. In his path lay nearly impenetrable, uncharted terrain, hostile cannibals, and deadly predators. Within weeks, the explorer had vanished without a trace. Years passed with no word. While debate raged in England over whether Livingstone could be found—or rescued—from a place as daunting as Africa, James Gordon Bennett, Jr., the brash American newspaper tycoon, hatched a plan to capitalize on the world’s fascination with the missing legend. He would send a young journalist, Henry Morton Stanley, into Africa to search for Livingstone. A drifter with great ambition, but little success to show for it, Stanley undertook his assignment with gusto, filing reports that would one day captivate readers and dominate the front page of the New York Herald. Tracing the amazing journeys of Livingstone and Stanley in alternating chapters, author Martin Dugard captures with breathtaking immediacy the perils and challenges these men faced. Woven into the narrative, Dugard tells an equally compelling story of the remarkable transformation that occurred over the course of nine years, as Stanley rose in power and prominence and Livingstone found himself alone and in mortal danger. The first book to draw on modern research and to explore the combination of adventure, politics, and larger-than-life personalities involved, Into Africa is a riveting read.

Hollywood and Africa - recycling the Dark Continent myth from 19082020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the colonial mastertext of the Dark Continent mythos by providing a historiographic genealogy and context for the terms development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of HollywoodAfrica film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave HollywoodAfrica phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate and even critique these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywoods whitewashing of African history.

In Darkest Africa: Or, the Quest, Rescue and Retreat of Emin, Governor of Equatoria by Henry Morton Stanley. On 28 October 1888 the Welsh-American explorer Henry Morton Stanley was entrenched deep in the unexplored Ituri rainforest of the Congo. He had been hacking his way back and forth through the jungle for months in his attempt to relieve the colonial governor Emin Pasha, whose province in the southern Sudan was under siege by a coalition of Sudanese and Arab insurgents under the command of the messianic cleric Muhammad Ahmad. Famished and exhausted, Stanley sent his East-African porters out to pillage what they could from native farms. Eventually persuaded by Stanley, they proceeded to the Indian Ocean by way of the Semliki River which was found to connect Lake Albert with Lake Edward. Stanley's own melodramatic account of the Emin Pasha Relief Expedition, In Darkest Africa, sold 150,000 copies in 1890 alone and was translated into ten European languages.

For many Americans the mention of Africa immediately conjures up images of safaris, ferocious animals, strangely dressed "tribesmen," and impenetrable jungles. Although the occasional newspaper headline mentions authoritarian rule, corruption, genocide, devastating illnesses, or civil war in Africa, the collective American consciousness still carries strong mental images of Africa that are reflected in advertising, movies, amusement parks, cartoons, and many other corners of society. Few think to question these perceptions or how they came to be so deeply lodged in American minds. Mistaking Africa looks at the historical evolution of this mind-set and examines the role that popular media plays in its creation. The authors address the most prevalent myths and preconceptions and demonstrate how these prevent a true understanding of the enormously diverse peoples and cultures of Africa.Updated throughout, the fourth edition covers the entire continent (North and sub-Saharan Africa) and provides new analysis of topics such as social media and the Internet, the Ebola crisis, celebrity aid, and the Arab Spring. Mistaking Africa is an important book for African studies courses and for anyone interested in unravelling American misperceptions about the continent.

This book is packed with rules, painting advice and ideas for making great-looking terrain. It will appeal to anyone interested in playing games such as exploration in Darkest Africa, fighting for survival and glory in Rome's gladiatorial arenas and plundering the West African coast with your band of cutthroat pirates. Over the past twenty years or so, Foundry has published many articles on different subjects in many different magazines, some of which you may have seen but most of which I am sure you haven't. Our guest Editor, Paul Sawyer, has sifted through those articles and has pulled a selection of them together in a nicely balanced book, themed to concentrate on Pirates and Darkest Africa, but covering other historical periods too; Aztecs, Gladiators, Greeks and Romans. So, if you want some simple fun rules to play, some ideas on terrain making and painting then this book is for you. Enjoy.

The nightly custom of gathering around the campfire, and entertaining one another with stories, began in 1875, after Sabadu, a page of King Mtesa, had astonished his hearers with the legend of the "Blameless Priest." Our circle was free to all, and was frequently well attended; for when it was seen that the more accomplished narrators were suitably rewarded, and that there was a great deal of amusement to be derived, few could resist the temptation to approach and listen, unless fatigue or illness prevented them.

Don McRae grew up in a South Africa where his father would call the black men he met 'boy' and where his mother insisted that their black servants used tin mugs, plates and cutlery as they ate the family's left-over food in the backyard of their grand suburban property. The McRaes, like so many white people, seemed oblivious to the violent injustices of apartheid. As the author grew up, the political differences between father and son widened and when Don refused to join up for National Service, risking imprisonment or exile overseas, the two were torn apart. It wasn't until years later that the author discovered that the father with whom he had fought so bitterly had later in his life transformed himself into a political hero. Risking everything one dark and rainy night Ian McRae travelled secretly into the black township of Soweto to meet members of Nelson Mandela's then banned African National Congress to discuss ways to bring power to black South Africa. He had no political ambitions; he was just a man trying to replace the worst in himself with something better. Under Our Skinis a memoir of these tumultuous years in South Africa's history, as told through the author's family story. It offers an intimate and penetrating perspective on life under apartheid, and tells a story of courage and fear, hope and desolation and love and pain, especially between a father and his son.