Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

Harvey Araton writes, with keen insight, of a time when power was ebbing fast from both newspapers and their unions. It’s an especially bittersweet tale he tells of the people who had grown up in newspapers and unions, as they struggle to adapt to this evolving new order. And, of course, what makes this even more evocative, is that we’re still trying to sort this all out. — Frank Deford, author of Everybody’s All-American, NPR commentator "Father and son face their demons, each other, and a depressingly realistic publisher in a newspaper yarn that made me yell "Hold the Front Page" for Harvey Araton's rousing debut as a novelist." — Robert Lipsyte, author of An Accidental Sportswriter In times of change, American novelists return to old themes. In Cold Type—as in Arthur Miller's Death of a Salesman—a son and his father struggle to hold onto what they think is right. It's mid-1990s; and "cold type" technology, a.k.a. computerized typesetting, wreaks havoc among workers in the newspaper industry. A fabulously wealthy Briton buys the New York City Trib and immediately refuses to negotiate with the truck drivers' union. In solidarity, all the other blue collar unions take to the streets. Jamie Kramer is a reporter for the Trib. His father is a hardcore shop steward (unusual for a Jew in Irish-dominated unions) from the old day of "hot type," but who has become a typographer in a world he doesn't understand. His father expects Jamie not to cross the picket line. It would be an act of supreme disrespect. But that's not so easy for Jamie. His marriage has fallen apart, he desperately needs his paycheck for child support, and he needs to make his own life outside the shadow of his father. Harvey Araton is a celebrated sports reporter and columnist for the New York Times. He authored the New York Times best-seller Driving Mr. Yogi: Yogi Berra, Ron Guidry, and Baseball's Greatest Gift; plus When the Garden Was Eden: Clyde, the Captain, Dollar Bill, and the Glory Days of the New York Knicks. Araton also finds time to serve as adjunct professor in sports writing at Montclair State University in New Jersey where he lives.

Harvey Araton writes, with keen insight, of a time when power was ebbing fast from both newspapers and their unions. It's an especially bittersweet tale he tells of the people who had grown up in newspapers and unions, as they struggle to adapt to this evolving new order. And, of course, what makes this even more evocative, is that we're still trying to sort this all out. -- Frank Deford, author of Everybody's All-American, NPR commentator "Father and son face their demons, each other, and a depressingly realistic publisher in a newspaper yarn that made me yell "Hold the Front Page" for Harvey Araton's rousing debut as a novelist." -- Robert Lipsyte, author of An Accidental Sportswriter In times of change, American novelists return to old themes. In Cold Type--as in Arthur Miller's Death of a Salesman--a son and his father struggle to hold onto what they think is right. It's mid-1990s; and "cold type" technology, a.k.a. computerized typesetting, wreaks havoc among workers in the newspaper industry. A fabulously wealthy Briton buys the New York City Trib and immediately refuses to negotiate with the truck drivers' union. In solidarity, all the other blue collar unions take to the streets. Jamie Kramer is a reporter for the Trib. His father is a hardcore shop steward (unusual for a Jew in Irish-dominated unions) from the old day of "hot type," but who has become a typographer in a world he doesn't understand. His father expects Jamie not to cross the picket line. It would be an act of supreme disrespect. But that's not so easy for Jamie. His marriage has fallen apart, he desperately needs his paycheck for child support, and he needs to make his own life outside the shadow of his father. Harvey Araton is a celebrated sports reporter and columnist for the New York Times. He authored the New York Times best-seller Driving Mr. Yogi: Yogi Berra, Ron Guidry, and Baseball's Greatest Gift; plus When the Garden Was Eden: Clyde, the Captain, Dollar Bill, and the Glory Days of the New York Knicks. Araton also finds time to serve as adjunct professor in sports writing at Montclair State University in New Jersey where he lives.

What has happened to book publishing in America "Trade publishing is moving toward a crisis. One should expect to see a number of respected publishing houses quietly exit the scene." Where book profits came from and where they went "Hardcover publishers could live comfortably amid the symptoms of poor performance because the sugar daddy paperback publishers made up all the deficits. But the subsidy is drying up. If the trade publisher does not learn soon to make a profit from his editions, he will have no profit at all." Who suffers most from a publisher's lack of publishing skill "Authors' incomes are low for an embarrassingly simple reason: publishers do not sell enough copies of their books." When management calls for less productivity on the part of its staff "Editors are rarely encouraged to do more, though frequently warned to do better. There are no rubdowns in the editorial locker room, and certainly no pep talks. And the players are frequently tripped by their own coach on their way to the field." Why our publishing industry is in such a perilous financial condition "For every copy of a hardcover book sold at its normal retail price, one book is sold as a remainder-- a book that goes from the publisher to the remainder dealer for less than the cost of producing it and with zero income to the author. No other industry can make this claim."