Excerpt from In a Silver Sea, Vol. 1 of 3 This precious stone, set in a silver sea, was an island, from which a bird might fly to England's shore and back within the limits of the shortest day. A priceless jewel, graced with loveliest form and colour; on one side rock-bound, plashed day and night by snowy spray and foam, and, on the other, lying asleep in a bed of. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from In a Silver Sea, Vol. 3 of 3 It seems so but I have seen as fair, at a distance, that turned out foul upon a nearer acquaintance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from In a Silver Sea, Vol. 2 of 3 Come, Ranf, While you have the power, set upon paper a sign that shall remain When you have passed away. While I live no eye but mine shall see What I write. When I am dead, it is Evan geline's, With all that I possess. It is not that I believe I shall die to-night or to-morrow, but it is as well to think of things. It is right that Evangeline should know something of 'my inner life, so that she may give men the lie Who speak ill of me. There are plenty of them let them have their way, but do not let them step into mine. A spirit Within me might cry Strike and they would not live to rue. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Here is the first translation into English of the complete Yin-Hai Jing-Wei, a classic fifteenth-century text on Chinese ophthalmology. As one of the few original manuscripts on traditional Chinese medicine translated into a Western language, this work offers an unprecedented view of the practice of medicine, and specifically eye care, in premodern China. Superbly rendered from the classical Chinese and extensively annotated by Paul U. Unschuld and Jürgen Kovacs, the text provides detailed descriptions of the etiology, symptomatology, and therapy of every eye disease known to fifteenth-century Chinese practitioners. The translators' introduction also provides the first in-depth analysis of the development of this specialty within Chinese medicine. As a source for comparative studies of Chinese and Western medicine and numerous other issues in the history of medicine and Chinese thought, the Yin-Hai Jing-Wei has no equal in the Western world.

A New York Times Bestseller A National Book Award FinalistAn IndieBound Bestseller This breathtaking, full-color illustrated fantasy is inspired by Chinese folklore, and is a companion to the Newbery Honor winner Where the Mountain Meets the Moon. Pinmei's gentle, loving grandmother always has the most thrilling tales for her granddaughter and the other villagers. However, the peace is shattered one night when soldiers of the Emperor arrive and kidnap the storyteller. Everyone knows that the Emperor wants something called the Luminous Stone That Lights the Night. Determined to have her grandmother returned, Pinmei embarks on a journey to find the Luminous Stone alongside her friend Yishan, a mysterious boy who seems to have his own secrets to hide. Together, the two must face obstacles usually found only in legends to find the Luminous Stone and save Pinmei's grandmother--before it's too late. A fast-paced adventure that is extraordinarily written and beautifully illustrated, When the Sea Turned to Silver is a masterpiece companion novel to Where the Mountain Meets the Moon and Starry River of the Sky.

Excerpt from Wolfenberg, Vol. 3: A Novel Now it is impossible that sunrise on the coast of Asia Minor can be very different from sun rise anywhere else; yet nevertheless this is what we beheld, looking shorewards about six in the morning: a sky of pale, translucent silver-grey, a sea almost as pale but faintly touched with azure, and then, between those two worlds of wan and ethereal hue, the land -beach, houses, hills, and woods - all of a solid, deep, rich bronze-red. It was a marvel, a bewilderment of colour. - But here was Peggy coming briskly along the deck. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.