Shortlisted for the Royal Society of Literature Ondaatje Prize 2017. A brilliantly distinctive debut set in China in the Second World War, IN A LAND OF PAPER GODS by Rebecca Mackenzie will appeal to readers who loved Oranges Are Not The Only Fruit or The Light Between Oceans. Jiangxi Province, China, 1941. Atop the fabled mountain of Lushan perches a boarding school for the children of British missionaries. While her parents pursue their calling, ten-year-old Henrietta S. Robertson discovers that she, too, has been singled out by the Lord. As Japanese invaders draw closer, Etta and her dorm mates retreat into a world where boundaries between make believe and reality become dangerously blurred. So begins a remarkable journey, through a mystical landscape and to the heart of a war.

The mayor of Atlanta and a washed-up reporter investigate a series of assassinations, and uncover a conspiracy that reaches into the heart of the city's political machine. Mayor Victoria Dobbs Overstreet is a Harvard-trained attorney and Spelman alum, married to a celebrated heart surgeon, mother to beautiful twin girls, and a political genius. When her mentor, ally, and friend Congressman Ezra Hawkins is gunned down in Ebenezer Baptist Church, Victoria finds a strange piece of origami–a “paper god”–tucked inside his Bible. These paper gods turn up again and again, always after someone is killed. Someone is terrorizing those who are close to Mayor Dobbs, and she can't shake the feeling that the killer is close to her, too. "A moving and unflinching portrait of a city and its many layers of power...Taylor has created a hero we see all too rarely: black, female, powerful." —Tim Teeman, Senior Editor of The Daily Beast "From buttermilk fried okra to bibles and bullets, the story comes out the gate moving and never lets up.” —Eric Jerome Dickey, New York Times bestselling author of A Wanted Woman

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Up to the twentieth century, Islamic charitable endowments provided the material foundation of the Muslim world. In Lebanon, with the fall of the Ottoman Empire and the imposition of French colonial rule, many of these endowments reverted to private property circulating in the marketplace. In contemporary Beirut, however, charitable endowments have resurfaced as mosques, Islamic centers, and nonprofit organizations. A historical anthropology in dialogue with Islamic law, God's Property demonstrates how these endowments have been drawn into secular logics—no longer the property of God but of the Muslim community—and shaped by the modern state and modern understandings of charity and property. Although these transformations have produced new kinds of loyalties and new ways of being in society, Moumtaz’s ethnography reveals the furtive persistence of endowment practices that perpetuate older ways of thinking of one’s self and one’s responsibilities toward family and state.

At the dawn of the 1970s, waves of hopeful idealists abandoned the city and headed for the country, convinced that a better life awaited. They were full of dreams, mostly lacking in practical skills, and soon utterly out of money. But they knew paradise when they saw it. When Loraine, Craig, Pancake, Hershe, and a dozen of their friends came into possession of 116 acres in Vermont, they had big plans: to grow their own food, build their own shelter, and create an enlightened community. They had little idea that at the same moment, all over the country, a million other young people were making the same move -- back to the land. We Are As Gods follows the Myrtle Hill commune as its members enjoy a euphoric Free Love summer. Nearby, a fledgling organic farm sets to work with horses, and a couple -- the author's parents -- attempts to build a geodesic dome. Yet Myrtle Hill's summer ends in panic as they rush to build shelter while they struggle to reconcile their ideals with the somber realities of physical hardship and shifting priorities -- especially when one member goes dangerously rogue. Kate Daloz has written a meticulously researched testament to the dreams of a generation disillusioned by their parents' lifestyles, scarred by the Vietnam War, and yearning for rural peace. Shaping everything from our eating habits to the Internet, the 1970s Back-to-the-Land movement is one of the most influential yet least understood periods in recent history. We Are As Gods sheds light on one generation's determination to change their own lives and, in the process, to change the world.

As Mother India approaches her centenary, nine people are going about their business — a gangster, a cop, his wife, a politician, a stand-up comic, a set designer, a journalist, a scientist, and a dropout. And so is Aj — the waif, the mind-reader, the prophet — when she one day finds a man who wants to stay hidden. In the next few weeks, they will all be swept together to decide the fate of the nation. River of Gods teems with the life of a country choked with peoples and cultures — one and a half billion people, twelve semi-independent nations, nine million gods. Ian McDonald has written the great Indian novel of the new millennium, in which a war is fought, a love betrayed, a message from a different world decoded, as the great river Ganges flows on.

Haraldur the northman once joined Jason on his fabled quest for the Golden Fleece, but now he wants nothing more to do with gods and adventure. Returning to his homeland for the first time in many years, he hopes only to settle down on a farm of his own—until he comes across an impenetrable wall of eldritch fire and a lovesick youth determined to breach the wall at any cost. Behind the towering flames, he is told, lies a beautiful Valkyrie trapped in an enchanted sleep, as well as, perhaps, a golden treasure beyond mortal reckoning. It is the gold that tempts Hal to agree, against his better judgment, to assist the youth in his quest. But to find a way past the fiery wall, they must first brave gnomes, ghosts, and the wrath of the gods themselves. For a mighty battle is brewing, and Hal soon finds himself caught up in a celestial conflict between Thor the Thunderer, Loki the Trickster, and most powerful of all, Wodan, the merciless Lord of Battles!