This book and accompanying audio offer a unique, simplified approach to using arpeggios when improvising. The material is for guitarists of all levels looking to improve their technique and improvisation skills. This method makes it possible to seamlessly incorporate arpeggios into jazz improvisation. Included are over thirty arpeggio-based licks spanning major, minor, dominant, blues and ii-V-I categories. The book also presents straightforward methods for using arpeggios creatively. Most guitarists view arpeggios and scales as separate entities - this book solves this problem by illustrating the relationship between eight simple arpeggio fingerings and scales/modes. Several etudes are also included. These simple mini-arpeggios will provide the reader with an entire world of musical possibilities.

An in-depth approach by Mimi Fox to mastering arpeggios for guitarists, beginning with simple arpeggio studies, this book progresses through simple concepts and tunes then proceeds to tackle some of the great standards that jazz musicians play. The lesson concludes with advanced arpeggio concepts including super-imposition of unusual arpeggios over various chord types to create startling tonal clusters. This is a must-have for all serious guitarists who want to achieve great technique while developing their sense of harmony. Companion CD included.

This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.

3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.

Learn to play bass guitar the easy way, following simple illustrated lessons from all styles of music. Lessons start with the basics - how to hold the bass, how to tune and start playing - and take the student to a playing level with sufficient skills to join a band. Each lesson is written in the standard TAB format with easy-to-read rhythm notations, and step by step pictures of the correct finger positions. Also includes a library of scales.

Improvise for Real is a step-by-step method that teaches you to improvise your own music through progressive exercises that anyone can do. You'll learn to understand the sounds in the music all around you. And you'll learn to express your own musical ideas exactly as you hear them in your mind. The method starts with very simple creative exercises that you can begin right away. As you progress, the method leads you on a guided tour through the entire world of modern harmony. You will be improvising your own original melodies from the very first day, and your knowledge will expand with each practice session as you explore and discover our musical system for yourself. Improvise for Real brings together creativity, ear training, music theory and physical technique into a single creative daily practice that will show you the entire path to improvisation mastery. You will learn to understand the sounds in the music all around you and to improvise with confidence over jazz standards, blues songs, pop music or any other style you would like to play. And you'll be jamming, enjoying yourself and creating your own music every step of the way. The method is open to all instruments and ability levels. The exercises are easy to understand and fun to practice. There is no sight reading required, and you don't need to know anything about music theory to begin. Already being used by both students and teachers in more than 20 countries, Improvise for Real is now considered by many people to be the definitive system for learning to improvise. If you have always dreamed of truly understanding music and being able to improvise with complete freedom on your instrument, this is the book for you

Designed for professionals and students alike, the material contained in this comprehensive volume can be applied to any instrument as well as classes or ensembles of varied instrumentation. In "Creative Jazz Improvisation," readers will find: Detailed information on how to practice, how to improvise in a creative way, and how to teach jazz improvisation A complete explanation of all aspects of jazz theory and forms Practice materials designed to help the reader gain facility with the jazz vocabulary and develop his or her ear Keyboard, ear-training, and theory exercises Lists of important jazz compositions, indexed to the popular Aebersold play-along recordings Eighteen transcriptions of solos by master jazz artists-- analyzed, transposed, and edited for all instruments The third edition expands on previous editions by adding: A new chapter, "Whom to Listen To," which lists major innovators, important contributors, and women in jazz Considerable expansion of the chapter on "Rhythm" and the section on "Creative Jazz Improvisation" New transcriptions of solos by Max Roach, Miles Davis, and Bill Evans Inspirational quotations by jazz masters, designed to motivate the student and give insight into the workings of the creative mind Author/trombonist/composer Scott Reeves draws on over twenty-one years of experience teaching at institutions such as the City College of New York, the University of Southern Maine, Virginia Commonwealth University, Memphis State University, and Western Washington University to create a book that covers all aspects of jazzimprovisation without superfluous information. Students and teachers alike will appreciate its accessible, well-organized approach to a complex subject.