The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.

With the current explosion of interest in letterpress, many are looking to see how new work can be influenced by the past. Active since 1982, Bruce Licher's Independent Project Press is a contemporary studio that has bridged technological eras and produced an unparalleled body of work. It has culled from the past while simultaneously turning it on its head with a distinct visual vocabulary that continues to influence current aesthetics. This monograph features over 40 years of the work of Bruce Licher.

There is more to San Diego than one can see on a single visit, but photographer Bill Wechter shows us plenty: a history that includes Native Americans, 16th Century European explorations and later, Spanish settlements, international expositions, and the birth of American Naval aviation; a city on the move, with something new and something old around every corner.

Lavishly illustrated, meticulously researched, and gracefully written, this definitive study of California's distinctive style of impressionism surveys the movement's sources abroad, its most influential artists, and the critical responses to the style. 248 illustrations, 201 in color.