Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.

Bruce Nauman, Alice Neel, Chuck Close, Cindy Sherman, Dale Chihuly, Nam June Paik: these are just a few of the approximately 5,000 artists whose once-fledgling careers have been fostered by a Visual Artists' Fellowship from the National Endowment for the Arts. Sometimes controversial, always committed to the development of art in America, from 1966 to 1995 the NEA awarded many such artists' fellowships to recipients in a diverse range of disciplines. A Creative Legacy presents a compelling insider account of this innovative government program -- how its policies were determined, its panelists selected, and the artists evaluated. The 100 color and nearly 200 black-and-white illustrations showcase a significant sampling of work by both notable and less-recognized honorees; all recipients from 1965 to 1995 are listed in the extensive indices.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas

Particularly valuable for Ronda's inclusion of pertinent background information about the various tribes and for his ethnological analysis. An appendix also places the Sacagawea myth in its proper perspective. Gracefully written, the book bridges the gap between academic and general audiences.OCo"Choice""