When Sen. Thomas Hart Benton, one of Missouri’s first two senators and the great-uncle of the famous regionalist painter of the same name, was expecting his second child in 1824, he hoped it would be a boy. Although he was graced instead with a second girl, he named her Jessie (in honor of his father, Jesse) and raised her more like a son than a nineteenth-century daughter, introducing her to the leading politicians of the day and making sure she received an education that emphasized history, literature, and languages. Jessie and her father were close; Senator Benton was the main influence in her life until 1841, when, at the age of seventeen, she married army explorer John Charles Frémont against her parents’ wishes. Some degree of reconciliation occurred when Benton promoted Frémont’s famous explorations of the Great West. Jessie remained in Missouri with the couple’s young daughter, Lily, but she later helped to write and edit reports of her husband’s adventures, and these narratives spread the lure of the West to nineteenth-century America. In 1849 Jessie and Lily made a harrowing and treacherous journey across the Isthmus of Panama to rendezvous with Frémont in San Francisco. With income from their gold mines, the Frémonts established a home in California. In 1856, with the country on the brink of civil war, Frémont’s antislavery position was instrumental in his being chosen as the Republican Party’s first presidential nominee. Jessie was a staunch campaigner for her husband’s unsuccessful presidential bid, which her father, a lifelong Democrat, refused to endorse. When President Lincoln appointed Frémont as the commander of the Department of the West in 1861, Jessie served as his unofficial aide and closest adviser. In a particularly dramatic incident, she rushed to Washington, D.C., for a meeting with Lincoln in which she argued passionately for her husband’s proposal to emancipate the slaves in Missouri. After the Civil War, the Frémonts’ financial situation took a downturn. Undaunted, Jessie supported the family by writing about her adventures in the American West in such works as A Year of American Travel and Souvenirs of My Time. Like many women of her era, Jessie lived her ambitions largely through her husband’s career, but she also made a name for herself as a writer and a firm opponent of slavery.

Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history.

From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.

"This book is a companion volume to Biographical books, 1950-1980, completing a comprehensive one hundred and five year bibliography of biographical and autobiographical works published or distributed in the United States"--Preface.