A remarkable, heartfelt, beautifully written analysis of the late work of major artists which author Max Porter has called “completely and utterly marvelous.” In 2020, as the spread of COVID-19 caused pandemonium worldwide,a painter and writer returned to a childhood home to reflect upon the transcendence of nature and the work of the artists he most admires. It seems to Christopher Neve that in their final works—their late style—that they have something remarkable in common. This has more to do with intuition and memory than with rationality or reason. Immortal Thoughts: Late Style in a Time of Plague is an anthology of these reflections. In this personal and moving account, nineteen short essays on artists are interspersed with recollections of the cataclysmic global progress of the disease in poignant contrast to the beauty of the seasons in Neve’s isolated house and garden. From Paul Cézanne and Michelangelo to Rembrandt and Gwen John, Neve dwells on artists’ late ideas, memories, risks, and places in the context of time and mortality. As much art history as a discussion of great art in the context of the “dance of death,” Neve also writes about Pierre Bonnard, Giorgio Morandi, Nicolas Poussin, Chaim Soutine, and many others. Immortal Thoughts is a summary of a lifetime’s contemplation of art.

An exploration of echoes and resonances across two millennia of visual culture, this book brings together weird, wondrous, and unforgettable imagery in one stunning volume. A remarkable collection of over five hundred images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, an online journal and not-for- profit project dedicated to exploring curious and compelling works from the history of art, literature, and ideas, this volume has been assembled from a vast array of sources: from manuscripts to museum catalogs, and ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence that unfurls according to a dreamlike logic, through a play of visual echoes and evolving thematic threads—hatching eggs paired with early Burmese world maps, marbled endpapers meet tattooed stowaways, and fireworks explode beside deep sea coral. At once an art book, a sourcebook, and a kaleidoscopic visual poem, Affinities is a unique and enthralling publication that will offer something different on each visit. A compelling art object and visual experience in its own right, this collection provides a launchpad for further exploration and inventive engagement across all forms of visual culture and expression.

Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, the spirit in the mass to David Bomberg. There are also chapters about painters ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.

The veteran Wall Street Journal science reporter Marilyn Chase’s fascinating account of an outbreak of bubonic plague in late Victorian San Francisco is a real-life thriller that resonates in today’s headlines. The Barbary Plague transports us to the Gold Rush boomtown in 1900, at the end of the city’s Gilded Age. With a deep understanding of the effects on public health of politics, race, and geography, Chase shows how one city triumphed over perhaps the most frightening and deadly of all scourges.

For centuries, artists have learnt from the art that came before them. This book explains how to make paint meaningful and imaginative responses to the works of the masters. There are step by step examples to illustrate how to get started and how to use thumbnail pencil sketches. Advice is given on how to make larger and slower drawings, and then oil-sketch copies of the masters' work. The author studies the composition, rhythms and colours of the masters and uses their work as a source to practise and understand paintings, and as a springboard for your own discovery and invention. This book explores how a brave and imaginative use of colour can reinterpret paintings to achieve a greater and more expressive effect. Images from the earliest art to the twentieth century are included to feed your creative imagination, and examples of contemporary interpretations to show you the way. With over two hundred inspiring images, it is a unique guide to developing your own artistic voice while studying and enjoying some of the art world's greatest treasures.

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

Everything that’s taught in seminary . . . all in one place! Maybe you’re involved in ministry but you never had the chance to go to seminary. Maybe it was many years ago and you need a refresher. Or maybe you just graduated and you don’t want to forget it all. If any of these descriptions fits you, One Volume Seminary is the resource you need. This book is written by former and current faculty of Moody Bible Institute and Moody Theological Seminary. Editors Michael Boyle, Laurie Norris, and Kerwin Rodriguez combine their years of pastoral wisdom, one-on-one counseling, high-level scholarship, and savvy street-smarts from the church’s frontlines to offer you a one-stop-shop for ministry training. One Volume Seminary provides sixty essays with practical advice for every aspect of church life—always grounded in the Word of God—under six main headings: Doctrinal Basics General Ministry to the Local Church Special Situations in Ministry Ministry to the World Proclaiming the Word in Worship and Preaching Practical Church Skills From baptizing a convert to balancing a budget . . . from preaching the Word to premarital counseling . . . from soteriology to spiritual warfare . . . from the Trinity to the teenager . . . this book covers it all. Though a seminary education is irreplaceable, One Volume Seminary is the next best thing to give you the training and equipping you need to succeed in ministry.