Only her kiss can save this cursed Viking warrior. Like the rest of his crew, Steinarr the Proud is condemned to live out eternity as a were-creature-at night he transforms into a lion. Now only one maiden can set him free to love as a man.

Part of a cursed Viking crew, Gunnar the Red must toil through eternity as a half-man, half-beast. Only the magic of true love can release him. Though she is betrothed to another, could Lady Eleanor de Neville be his salvation?

I wrote these poems for people to read and relate to their everyday lives. Each poem is different and has a different meaning for every person who reads them. The poems in this book refer to all aspects of life. My goal in writing this book is to help people deal with the pressures of life. I want my readers to be able to read a poem about "Love" and think of their girlfriends or boyfriends. I want my poems to be able to help someone grieve over a loved one who passed away, and most of all I want my readers to enjoy my poems because they are for you. I hope happiness comes to all of my readers. Even if you do not like poetry, you will be swept off your feet, into a fantasy world that will help you escape the pressures of life. Open your mind and let your imagination free!!!! Enjoy Life!! K.H.

First published in 2007. In early 1929, two organizers for the American Communist Party’s recently established National Textile Worker’s Union (NTWU) journeyed south by motorcycle to investigate the potential for beginning organizing work among textile workers in the Piedmont region. One of these organizers, Fred Beal, decided to try his luck in Gastonia, North Carolina, which had been described to him as key to organizing the South In a chain of events whose rapidity and magnitude took Beal by surprise, workers at the Loray mill became embroiled in a Communist-led strike that would eventually focus national and even international attention on Gastonia. This book focuses on Myra Page, Grace Lumpkin, and Olive Dargan—the three authors of Gastonia novels who penetrate most incisively into the working-class experience beneath historical and political accounts of the strike and its larger context.

He came to England in search of treasure. Two hundred years later, he?s found her... Ivar Graycloak is a brave warrior, a man known for his strength and integrity. He is also a man with a terrible secret. Long ago he was part of a Viking crew cursed by an evil sorceress to live for eternity as were-creatures. An eagle by day and a man by night, Ivar has lived a solitary existence for over two centuries. Then the king orders him to marry. Lady Alaida is everything a man could want in a bride?intelligent, spirited, and beautiful--and their wedding night is a balm to Ivar's lonely spirit. Then a seer brings him word of a dark vision, one that makes Ivar vow to stay away from his lovely wife forever. But now that Ivar has sampled Alaida?s passion, her humor and warmth, he is enthralled. His traitorous body?his very heart?longs for that which he can never possess. Lady Alaida may surprise him yet, though, for she has a power of her own?a power that will either destroy everything they hold dear or ultimately set them free?

We are living in the Age of Interruption; modern technology is changing our forms of attention, everyday life is subject to more disruption than ever before. As the pattern of our lives changes so dramatically so too does our sense of continuity and tradition. In a series of essays by distinguished writers from diverse fields this book explores how the idea of Interruption constitutes our sense of ourselves, often without our noticing. Interruption has become part of the new order of our lives, both a threat and a promise. These eloquent and searching accounts give interruption its place as a powerful figure and force.

In this hermeneutic analysis of seven literary texts, Stephanie Barbé Hammer studies the roles of criminal protagonists in the dramas of George Lillo (The London Merchant) and Friedrich Schiller (The Robbers) and in the narratives of Abbé de Prévost (Manon Lescaut), Henry Fielding (Jonathan Wild), Marquis de Sade (Justine), William Godwin (Caleb Williams), and Heinrich von Kleist (Michael Kohlhaas). Hammer reflects the current interest in cultural critique by utilizing the social theories of Michel Foucault and the feminist approaches of Hélène Cixous and Eve Sedgwick to redefine the Enlightenment as a movement of thought rather than as a strictly defined period synonymous with the eighteenth century. In addition, through the examination of the works of three post–World War II authors (Jean Genet, Anthony Burgess, and Peter Handke), Hammer suggests that the Enlightenment’s artistic representations of criminality are unparalleled by subsequent modern literature. Hammer explains that the seven works she focuses on have been dismissed as failures by readers who have misunderstood the texts’ aesthetic elements. While claiming that the form of these works breaks down under the pressure of their criminal protagonists, she asserts that this formal failure actually contributes to the success of the works as art. The works "fail" because, like the criminal characters themselves, they break laws. The criminal protagonist effectively sabotages the official story that the text seeks to tell by deflecting the plot, style, and formal requirements in question, subverting its message—be it moral, sentimental, or libertine— through a kind of structural undermining, forcing the text beyond its own formal boundaries. For example, Hammer maintains that the presence of the criminal figure, Millwood, in Lillo’s bourgeois tragedy actually makes the play covertly antibourgeois. Hammer insists that the criminal’s subversive presence in these seven works inaugurates new insight, and her analysis thereby challenges late twentieth-century readers to continue the investigation that the works themselves have begun. This book will prove indispensable to scholars of comparative literature, especially eighteenth-century specialists, as well as to all individuals interested in cultural critique.