The Sixties occupy a prominent place in popular culture and scholarship as an era of global upheavals, including the Civil Rights Movement, de-colonization, radical social movements, student and youth protests, and the Vietnam War. This pioneering book explores the seemingly isolated Eastern bloc and a non-capitalist context, demonstrating the impact of those global upheavals on young people in Poland in the form of international youth culture, protest movements, and counterculture.

In the long-awaited follow-up to her Pulitzer Prize-winning Gulag, acclaimed journalist Anne Applebaum delivers a groundbreaking history of how Communism took over Eastern Europe after World War II and transformed in frightening fashion the individuals who came under its sway. At the end of World War II, the Soviet Union to its surprise and delight found itself in control of a huge swath of territory in Eastern Europe. Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

This compelling book describes how everyday people courageously survived under repressive Communist regimes until the voices and actions of rebellious individuals resulted in the fall of the Iron Curtain in Europe. Part of Greenwood's Daily Life through History series, Daily Life behind the Iron Curtain enables today's generations to understand what it was like for those living in Eastern Europe during the Cold War, particularly the period from 1961 to 1989, the era during which these people-East Germans in particular-lived in the imposing shadow of the Berlin Wall. An introductory chapter discusses the Russian Revolution, the end of World War II, and the establishment of the Socialist state, clarifying the reasons for the construction of the Berlin Wall. Many historical anecdotes bring these past experiences to life, covering all aspects of life behind the Iron Curtain, including separation of families and the effects on family life, diet, rationing, media, clothing and trends, strict travel restrictions, defection attempts, and the evolving political climate. The final chapter describes Eastern Europe after the fall of the Berlin wall and the slow assimilation of East into West, and examines Europe after Communism.

Visiting Central Europe, in 1962, a visitor would not see a real "Iron Curtain." There was no huge piece of grim drapery splitting Europe between Communist dictatorships and democracies. The Iron Curtain represented the Central European part of the Cold War, the generally peaceful, but highly dangerous, forty-year competition between the United States and its allies and the Soviet Union and its allies. The Iron Curtain symbolically represented the attempt to permanently, artificially, and arbitrarily split one part of Central Europe from the other. Although there was no real iron curtain, there was lots of steel in the form of barbed wire, ground radar, watchtowers, and machine guns in the hands of troops willing to use them. The boundary between democracy and totalitarianism was clear. This book tells the story of the Iron Curtain, and the Cold War it so vividly represented, from the start of World War II to its end with the dramatic fall of the Berlin Wall in 1989. Book jacket.

The Iron Curtain did not exist—at least not as we usually imagine it. Rather than a stark, unbroken line dividing East and West in Cold War Europe, the Iron Curtain was instead made up of distinct landscapes, many in the grip of divergent historical and cultural forces for decades, if not centuries. This book traces a genealogy of one such landscape—the woods between Czechoslovakia and West Germany—to debunk our misconceptions about the iconic partition. Yuliya Komska transports readers to the western edge of the Bohemian Forest, one of Europe’s oldest borderlands, where in the 1950s civilians set out to shape the so-called prayer wall. A chain of new and repurposed pilgrimage sites, lookout towers, and monuments, the prayer wall placed two long-standing German obsessions, forest and border, at the heart of the century’s most protracted conflict. Komska illustrates how civilians used the prayer wall to engage with and contribute to the new political and religious landscape. In the process, she relates West Germany’s quiet sylvan periphery to the tragic pitch prevalent along the Iron Curtain’s better-known segments. Steeped in archival research and rooted in nuanced interpretations of wide-ranging cultural artifacts, from vandalized religious images and tourist snapshots to poems and travelogues, The Icon Curtain pushes disciplinary boundaries and opens new perspectives on the study of borders and the Cold War alike.

"I was born at the beginning of it all, on the Red side-the Communist side-of the Iron Curtain." Through annotated illustrations, journals, maps, and dreamscapes, Peter Sis shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer, stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into the country. Sís learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities-creativity could be discouraged but not easily killed. By joining memory and history, Sis takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his art.--Publisher information.

Marc Headley started working for the Scientology organization in 1989. After leaving in 2005, Marc posted bits and pieces of what went on at the Scientology headquarters (known from inside as the International Base). Marc posted anonymously under the screen name of Blownforgood aka BFG. In September 2008 Marc was invited to speak to an international conference of European government representatives regarding the Scientology organization and their abuses. It was at this time that Marc revealed his identity as Blownforgood. By 2009, the internet posts Marc had written over the years had been viewed hundreds of thousands of times, but still there were people who questioned their validity. Stories of grown men being thrown into dirty lakes and pools as punishment? Physical abuse never reported to authorities? How could this happen in modern day America? Two years after Marc wrote about these things and posted them on the internet, a Pulitzer Prize winning U.S. newspaper printed accounts from former staff member who worked at the Int Base that matched and confirmed what Marc had written about. Not only that, Scientology officials admitted that these things had taken place! Find out what they did not talk about in Blown for Good.