He Distorting mirror: the representation of Prophet Muhammad (peace be upon him) in medieval and other writings in the West -- From impostor to hero: representation of Prophet Muhammad (peace be upon him) in the literary works -- Towards fairness and truth: recent trends in the representation of Prophet Muhammad (peace be upon him)

From one of today’s leading Muslim scholars, this compelling look at how the Prophet Muhammad has been portrayed throughout the centuries offers a fascinating history of the diversity of Islamic cultures and beliefs. The Prophet Muhammad has been revered for more than fifteen centuries. Today, one in five people throughout the world calls for daily praises and blessings upon him and holds him up as a model of virtue. In IMAGES OF MUHAMMAD, Tarif Khalidi examines the ways Muhammad has been depicted and revered from the immediate aftermath of his death to the present day. With scholarly authority, Khalidi explores how the “biography” of Muhammad has been constructed, reconstructed, and utilized in various Islamic cultures, and traces the influences that have shaped his image, including the profound effect of negative perceptions promulgated by the West. As he describes the great variety of Islamic beliefs and practices, Khalidi illuminates the values and ideas shared by the Sunni, Shia, and Sufi sects, as well as the differences among them, providing Western readers with a clear, objective perspective on the current conflicts within the Muslim world as well as their global repercussions. From the Hardcover edition.

This is an outline of the main contours of Wstern scholarshop on the life and achievements of the Prophet Muhammad. It aim to highlight a perceived lack of objectivity and to focus on the need to study Islam from a scholarly and objective angle.

Exploring and understanding how medieval Christians perceived and constructed the figure of the Prophet Muhammad is of capital relevance in the complex history of Christian-Muslim relations. Medieval authors writing in Latin from the 8th to the 14th centuries elaborated three main images of the Prophet: the pseudo-historical, the legendary, and the eschatological one. This volume focuses on the first image and consists of texts that aim to reveal the (Christian) truth about Islam. They have been taken from critical editions, where available, otherwise they have been critically transcribed from manuscripts and early printed books. They are organized chronologically in 55 entries: each of them provides information on the author and the work, date and place of composition, an introduction to the passage(s) reported, and an updated bibliography listing editions, translations and studies. The volume is also supplied with an introductory essay and an index of notable terms.

These 24 studies on specific symbols, images and icons from the Muslim tradition are authored by scholars from around the world. Divided into four sections, the Divine, the Spiritual, the Physical, and the Societal, they examine theological issues, such as divine unity, creation, wrath, and justice, as well as spiritual subjects, such as the straight path, servitude, perfection, the jinn, intoxication, and the status of Fatimah, the daughter of the Prophet Muhammad. Essays also explore the symbolism of physical elements such as water, trees, seas, ships, food, the male sexual organ, eyebrows, and camels; and the significance of more socially-centered subjects such as the center, ijtihad, governance, otherness, Ashura, and Arabic. Drawing from the Qur'an and Sunnah, the essays address these topics with tact and respect from a position that appreciates exegetical diversity while remaining within the realm of unity.

Heretic and impostor or reformer and statesman? The contradictory Western visions of Muhammad In European culture, Muhammad has been vilified as a heretic, an impostor, and a pagan idol. But these aren’t the only images of the Prophet of Islam that emerge from Western history. Commentators have also portrayed Muhammad as a visionary reformer and an inspirational leader, statesman, and lawgiver. In Faces of Muhammad, John Tolan provides a comprehensive history of these changing, complex, and contradictory visions. Starting from the earliest calls to the faithful to join the Crusades against the “Saracens,” he traces the evolution of Western conceptions of Muhammad through the Reformation, the Enlightenment, and the nineteenth and twentieth centuries, and up to the present day. Faces of Muhammad reveals a lengthy tradition of positive portrayals of Muhammad that many will find surprising. To Reformation polemicists, the spread of Islam attested to the corruption of the established Church, and prompted them to depict Muhammad as a champion of reform. In revolutionary England, writers on both sides of the conflict drew parallels between Muhammad and Oliver Cromwell, asking whether the prophet was a rebel against legitimate authority or the bringer of a new and just order. Voltaire first saw Muhammad as an archetypal religious fanatic but later claimed him as an enemy of superstition. To Napoleon, he was simply a role model: a brilliant general, orator, and leader. The book shows that Muhammad wears so many faces in the West because he has always acted as a mirror for its writers, their portrayals revealing more about their own concerns than the historical realities of the founder of Islam.

thevolume represents a significant contribution to the complex history of the conceptualization and pictorialization of the Prophet Muhammad in the West. It gives a rapid and though deep overview of the history of the making of an image of the Prophet Muhammad in Europe and thus reflects the whole history of the making of the image of Islam in the Latin West, from the early medieval times till the 19th century. The book also provides the reader with ready access to the most recent scholarship concerning the image of Muhammad in Europe, in the form of comprehensive footnotes provided throughout the text and an extensive bibliography.