"The New Testament does not develop a systematic doctrine of salvation," writes Brenda Colijn. "Instead, it presents us with a variety of pictures taken from different perspectives." Students of the New Testament and of theology will both find their vision broadened and their understanding deepened by this rich, informative study. As the author seeks to understand their implications for people of faith, she uncovers how New Testament images provide the building blocks of the master story of redemption.

Daniel J. Harrington, S.J., writes this book not so much for biblical specialists as for the general public. The author's popular and prayerful approach considers forty-five images of hope -- from star, water, and rock through childbirth, body, and house to scroll, woman, and beast.

Salvation in the New Testament offers an analysis of the soteriological perspectives and language of the different books of the New Testament. Special attention is given to the imagery used in expressing soteriological ideas. Salvation deals with becoming part of the people of God. In Salvation in the New Testament special attention is given to the nature and power of the salvific language used in the New Testament to express the dynamics of salvation. Individual articles on the different books of the New Testament highlight the diverse perspectives offered in these documents. The emphasis especially falls on the different images and metaphors which were used to express the event and moment of salvation, rather than on the results (ethics or behaviour) of salvation. An overview of the different perspectives on soteriology in the New Testament offers the opportunity to compare similarities and differences in concepts and expressions. It also illustrates the dynamic interaction between historical situations and salvific language and expression.

In our image-based culture, people need to visualize something to understand it. This has never been more true about our communication of the gospel. But sometimes our understanding of the gospel gets stuck in a rut, and all we know is a particular outline or one-size-fits-all formula. While we hold to only one gospel, the New Testament uses a wealth of dynamic, compelling images for explaining the good news of Jesus, each of which connects with different people at different points of need. Neil Livingstone provides a guided tour of biblical images of the gospel and shows how each offers fresh insight into God's saving work. Walking through Scripture's gallery of pictures of salvation from new life to deliverance, from justification to adoption, Livingstone invites us to deepen our understanding of the gospel. By letting the truth and power of each permeate our lives, we will be better able to articluate the life-changing gospel of Christ to a world that needs to taste--and see--that the Lord is good.

"Magisterial. . . . A learned, brilliant and enjoyable study."--Géza Vermès, Times Literary Supplement In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. This edition includes an introduction reviews the most recent scholarship on Jesus and its implications for both history and theology. "Brilliant and lucidly written, full of original and fascinating insights."--Reginald H. Fuller, Journal of the American Academy of Religion "This is a first-rate work of a first-rate historian."--James D. Tabor, Journal of Religion "Fredriksen confronts her documents--principally the writings of the New Testament--as an archaeologist would an especially rich complex site. With great care she distinguishes the literary images from historical fact. As she does so, she explains the images of Jesus in terms of the strategies and purposes of the writers Paul, Matthew, Mark, Luke, and John."--Thomas D'Evelyn, Christian Science Monitor

Corrington examines the image of the savior and the experience of salvation, two concepts that are inextricably entwined. The author asserts that Christianity set aside female images of salvation by emphasizing the maleness of Jesus. She draws on solid knowledge of Jewish and classical Greek sources to show that the image of God could be seen as both male and female.

Images of Salvation is an interactive resource providing one hundred and eighty images illustrating biblical themes from Genesis to Revelation, together with background material explaining the doctrinal and art historical context. Each section contains a selection of images from medieval stained glass, manuscript illumination and sculpture and includes summaries of the key points and relevant texts from the Bible and later commentators. Individual images are supplied with detailed commentary on important doctrinal and art historical elements. At all points in the resource it is possible to access an interactive reference section. This edition of Images of Salvation has greatly improved navigation and a new Resource Centre, including keyword searching of both the encyclopedia, with the facility to create one's own glossary for lectures or projects, and the image gallery. Users can also navigate directly to the stored key texts and search the bibliography by keyword, finding their essential works even more easily than before. The architecture of the new version complements the style and navigation of The English Parish Church resource (Christianity & Culture 2015).