Bath Township was sculpted from the Western Reserve after Native Americans ceded the land to the United States at the 1805 Treaty of Fort Industry. Captured here in over 200 vintage photographs is the development of the area into Bath Township, through the trials and triumphs of its earliest settlers. Originally named Hammondsburgh after one of the first families to settle in the area, Bath Township was formally organized in 1818. Industry sprang up in the form of grist, flour, saw, and woolen mills along the Yellow Creek in Ghent Village. Gradually, a handful of small population centers or "corners" came into existence within the township. Names like Hammond's Corners, Stony Hill, Ghent, and Ira are still used today, while the names of Hurd's Corners, Little Germany, and Farley's Corners are seldom spoken. Pictured here are the buggy works, blacksmith shops, cheese factories, general stores, and post offices, and the residents that operated them, creating the inviting area that residents cherish today.

Bath is one of the most popular and significant tourist destinations in Britain. No fewer than four million visitors each year visit the much-renovated Roman Baths, marvel at the sites of this World Heritage city, or simply meander through its now carefully conserved eighteenth-century streets. For a few hours before they are whisked away to Stratford-upon-Avon, Edinburgh or London, they absorb the carefully presented image of Bath as ancient spa, elegant Georgian city and haunt of the likes of Richard 'Beau' Nash or Jane Austen. Bath has always tried to present itself in a favorable light. The true picture of Bath throughout its long and varied history is of course much fuller, more interesting and varied than the facade presented to casual visitors. From its earliest known history as spa during the Roman period, Bath transformed itself into Saxon monastic town and subsequently Norman cathedral city. It developed into a regional market and - perhaps surprisingly - a centre of the woollen trade during the Middle Ages, before becoming probably the most important health resort of the sixteenth and seventeenth centuries. Thereafter, rapid expansion in the Georgian period created an enduring architectural legacy which made Bath the country's foremost fashionable resort, attracting increasing numbers of visitors. Later, the city experienced some years of relative decline, from which it re-emerged, this time as a favored place of genteel residence in the nineteenth and twentieth centuries. This theme of constant re-invention now sees Bath attempt to become a 'festival city', in the market for cultural tourism, while the long-anticipated opening of a new thermal spa should bring a new lease of life to the hot springs which, of course, represent Bath's very oldest attraction, and in many ways its very raison d'être. This book goes beyond the narrow, popular image of Bath to explore years of extraordinary change, variety and interest, focusing wherever possible on the lives of ordinary residents, and seeking to explain as well as to chronicle Bath's truly unique historical legacy.

Telling Images is a study of Chaucer's narrative art and its use of symbolic images in the visual arts of his time.

Medieval images and their content, intentions, and functions regularly followed specific strategies, rituals, and symbols of communication. This is true for religious as well as for secular images. One can recognize these strategies and rituals through analyzing the patterns that occur in the varieties of image construction, image space, image messages, and their perception. This book contains contributions by international specialists whose research interests concentrate on these patterns, the rituals associated with them, and the influences of these phenomena on the daily life of the image audience. (Series: History: Research and Science / Geschichte: Forschung und Wissenschaft - Vol. 39)