Real places and events are constructed and used to symbolize abstract formulations of power and authority in politics, corporate practice, the arts, religion, and community. By analyzing the aesthetics of public space in contexts both mundane and remarkable, the contributors examine the social relationship between public and private activities that impart meaning to groups of people beyond their individual or local circumstances. From a range of perspectives—anthropological, sociological, and socio-cultural—the contributors discuss road-making in Peru, mass housing in Britain, an unsettling traveling exhibition, and an art fair in London; we explore the meaning of walls in Jerusalem, a Zen garden in Japan, and religious themes in Europe and India. Literally and figuratively, these situations influence the ways in which ordinary people interpret their everyday worlds. By deconstructing the taken for- granted definitions of social value (democracy, equality, individualism, fortune), the authors reveal the ideological role of imagery and imagination in a globalized political context.

"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement

Analyses a wide range of film and still photographs to explore culturally dominant images and how they work. Extensively illustrated, this challenging collection of essays is essential reading for all students of media and women's studies.

A collection of studies by scholars working at the Chelsea School Research Centre and the University of Brighton

Philosopher and art historian Georges Didi-Huberman is one of the most innovative and influential critical thinkers writing today. This book is the first English-language study of his writing on images. An image is a form of representation, but what are the philosophical frameworks supporting it? The book considers how Didi-Huberman takes up this question repeatedly over the course of his career. Placing his project in relation to major historical and intellectual contexts, it shows not only how he modifies dominant disciplinary traditions, but also how the study of images is central to a new way of thinking about poststructuralist-inspired art history.

A new and urgent item on the agenda of churches around the world is the theological and ethical dimensions of the ecological crisis. Highlighted by the United Nations Earth Summit in Brazil, the issues covered in this volume raise unavoidable and fundamental questions of the life-style and Christian witness in the face of threats to the very survival of humankind and planet Earth. The groundbreaking essays by more than two-dozen contributors in this book are divided into five sections: biblical witness, theological challenges, insights from ecofeminism, insights from indigenous people, and ethical implications. Contributors include: JosŽ P. M. Cunanan, Philippines; Margot Kaessmann, Germany; Renthy Keitzar, India; K. C. Abraham, India; Tony Brun, Costa Rica; Milton B. Efthimiou, United States; Wesley Granberg-Michaelson, World Council of Churches; Kwok Pui-lan, Hong Kong; Larry Rasmussen, United States; Samuel Rayan, India; M. Adebisi Sowunmi, Nigeria; Tsehai Berhane-Selassie, Ethiopia; Chung Hyun Kyung, South Korea; Aruna Gnanadason, India; Anne Primavesi, United Kingdom; Rosemary Radford Ruether, United States; Rob Cooper, New Zealand; Stan McKay, Canada; George Tinker, United States; Edward Antonio, Zimbabwe; Leonardo Boff, Brazil; M. L. Daneel, South Africa; David G. Hallman, Canada; Dieter T. Hessel, United States Catherine Keller, United States.