A memoir by American former actress and singer Jennette McCurdy about her career as a child actress and her difficult relationship with her abusive mother who died in 2013

My name is John Cook, and my life began the day my heart stopped beating.You meet the most interesting men in Medieval prisons. This one time, I met a guy who offered me immortality for the low, low price of changing my diet. I didn't read the fine print. Because he wasn't talking about a gluten free diet. More like hemoglobin full.And now I'm a friggin' vampire with five centuries of pop culture references.Granted, at the time, I was listening to the dying screams of my mother and father being burned and eviscerated alive just outside the rusty bars of the prison cell, and my new best friend was offering me my only real chance at saving my own life and avenging my parents' murderers-some day.Except my first chance at vengeance took about five hundred years, and I had to wade through oceans of sin and violence, blackening my soul-and my already dark sense of humor-beyond redemption until I met Father Thomes-a Roman Catholic Priest-in present-day Houston. Papa Thomes taught me how to use my dark curse to fight for the good guys. Like Alfred and Robin did for Batman-except we straight up murder Jokers and Two-Faces. Biteman and Pope'n.We stand up for the downtrodden, the forgotten, and the neglected?By exsanguinating the wicked in horrific, truly imaginative ways, and having a grand ol' time doing it. You know what they say about doing what you love?But our party is soon cut short when we learn the End of Days is just around the corner, and that the fine print of my contract might have hidden a few other tidbits. Like the fact that I was central to kicking off the Apocalypse, and that the Archdemons will stop at nothing to make sure The Dude Abides by the terms of his contract.I guess I need a lawyer.Get ready to laugh at extreme violence. I know I will. If you're not laughing, you're learning.

I'll Mature When I'm Dead is the New York Times bestseller from "the funniest man in America" (New York Times). Let Pulitzer Prize-winning humorist and nationally unrecognized voice of maturity Dave Barry make the journey to adulthood a little easier—and a lot funnier. Not everyone has to be dragged kicking and screaming through adulthood. Dave Barry will help through this process—with his hilarious takes on parenting, changing self-image, the battle of the sexes, technology, health care, celebrityhood, and even vampires!

The Searing Portrayal Of War That Has Stunned And Galvanized Generations Of Readers An immediate bestseller upon its original publication in 1939, Dalton Trumbo?s stark, profoundly troubling masterpiece about the horrors of World War I brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. Johnny Got His Gun is an undisputed classic of antiwar literature that?s as timely as ever. ?A terrifying book, of an extraordinary emotional intensity.?--The Washington Post "Powerful. . . an eye-opener." --Michael Moore "Mr. Trumbo sets this story down almost without pause or punctuation and with a fury amounting to eloquence."--The New York Times "A book that can never be forgotten by anyone who reads it."--Saturday Review

This is an abridged version of You'll Be Perfect When You're Dead: The Collected Online Writings of Dan Harmon, a collection of some of Dan Harmon's Myspace blogs written in the years leading up to his work creating and running his NBC show Community The original 'unabridged' edition of this book only received a small printing and is no longer found available online, resulting in the existence of this edition. The entries included have been left entirely unedited.

Neil Strauss can uncover the naked truth like nobody else. With his groundbreaking book The Game, Strauss penetrated the secret society of pickup artists. Now, in Everyone Loves You When You're Dead, the Rolling Stone journalist collects the greatest moments from the most insane music interviews of all time. Join Neil Strauss, "The Mike Tyson of interviewers," (Dave Pirner, Soul Asylum), as he Makes Lady Gaga cry, tries to keep Mötley Crüe out of jail & is asked to smoke Kurt Cobain's ashes by Courtney Love Shoots guns with Ludacris, takes a ride with Neil Young & goes to church with Tom Cruise and his mother Spends the night with Trent Reznor, reads the mind of Britney Spears & finds religion with Stephen Colbert Gets picked on by Led Zeppelin, threatened by the mafia & serenaded by Leonard Cohen Picks up psychic clues with the CIA, diapers with Snoop Dog & prison survival tips from Rick James Goes drinking with Bruce Springsteen, dining with Gwen Stefani & hot tubbing with Marilyn Manson Talks glam with David Bowie, drugs with Madonna, death with Johnny Cash & sex with Chuck Berry Gets molested by the Strokes, in trouble with Prince & in bed with . . . you'll find out who inside. Enjoy many, many more awkward moments and accidental adventures with the world's number one stars in Everyone Love You When You're Dead.

Though numerous studies have been conducted regarding perceived racial bias in newspaper reporting of violent crimes, few studies have focused on the intersections of race and gender in determining the extent and prominence of this coverage, and more specifically how the lack of attention to violence against women of color reinforces their invisibility in the social structure. This book provides an empirical study of media and law enforcement bias in reporting and investigating homicides of African American women compared with their white counterparts. The author discusses the symbiotic relationship between media coverage and the response from law enforcement to victims of color, particularly when these victims are reported missing and presumed to be in danger by their loved ones. Just as the media are effective in helping to increase police response, law enforcement officials reach out to news outlets to solicit help from the public in locating a missing person or solving a murder. However, a deeply troubling disparity in reporting the disappearance and homicides of female victims reflects racial inequality and institutionalized racism in the social structure that need to be addressed. It is this disparity this important study seeks to solve.