The description for this book, Illustrations in Roll and Codex: A Study of the Origin and Method of Text Illustration, will be forthcoming.

One of the most conspicuous innovations of early Christianity within Greco-Roman culture is its reliance upon a collection of authoritative texts. The ultimate author of Scripture was thought to be God Himself, whose will could and should be sought and found in these holy writings. For this reason it is not surprising that very soon these texts not only became the object of careful attention and scholarly study, but also put their stamp on the various forms and manifestations of early Christian life, such as martyrdom, asceticism, liturgy, art, and literature. This multifarious influence of Scripture is the subject of The Impact of Scripture in Early Christianity. It contains fourteen contributions, predominantly in English, by Belgian and Dutch scholars which have been gathered in a thematically ordered collection.

A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.

This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.

A unique exploration of the beginnings of biblical illustration and decoration.