This illustrated catalogue features a collection of paintings and watercolors from the Italian, French, Dutch, and American schools by old and modern masters, along with other art properties, that were owned by the late James S. Inglis. The catalogue was used for a public sale on March 11th and 12th in 1909. Art enthusiasts and collectors will be delighted to peruse the stunning visuals in this rare catalogue. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from De Luxe Illustrated Catalogue of Paintings and Water Colors of the Italian, French, Dutch and American Schools, by Old and Modern Masters and Other Art Property: To Be Sold to Facilitate the Settlement of the Estate of the Late James S. Inglis of Cottier and Company, New York, to Be Disposed of at Unrestricted Public Sale on the Dates Herein Stated Lessore, jules The Abbey of St. Denis The Lower End of Manhattan Island View of New York a Few Years Later. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.