What is it for a sentence to have a certain meaning? This is the question that the distinguished analytic philosopher William P. Alston addresses in this major contribution to the philosophy of language. His answer focuses on the given sentence's potential to play the role that its speaker had in mind, what he terms the usability of the sentence to perform the illocutionary act intended by its speaker.Alston defines an illocutionary act as an act of saying something with a certain "content." He develops his account of what it is to perform such acts in terms of taking responsibility, in uttering a sentence, for the existence of certain conditions. In requesting someone to open a window, for example, the speaker takes responsibility for its being the case that the window is closed and that the speaker has an interest in its being opened.In Illocutionary Acts and Sentence Meaning, Alston expands upon this concept, creating a framework of five categories of illocutionary act and going on to argue that sentence meaning is fundamentally a matter of illocutionary act potential; that is, for a sentence to have a particular meaning is for it to be usable to perform illocutionary acts of a certain type. In providing detailed and explicit patterns of analysis for the whole range of illocutionary acts, Alston makes a unique contribution to the field of philosophy of language—one that is likely to generate debate for years to come.

What is it for a sentence to have a certain meaning? This is the question that the distinguished analytic philosopher William P. Alston addresses in this major contribution to the philosophy of language. His answer focuses on the given sentence's potential to play the role that its speaker had in mind, what he terms the usability of the sentence to perform the illocutionary act intended by its speaker. Alston defines an illocutionary act as an act of saying something with a certain "content." He develops his account of what it is to perform such acts in terms of taking responsibility, in uttering a sentence, for the existence of certain conditions. In requesting someone to open a window, for example, the speaker takes responsibility for its being the case that the window is closed and that the speaker has an interest in its being opened. In Illocutionary Acts and Sentence Meaning, Alston expands upon this concept, creating a framework of five categories of illocutionary act and going on to argue that sentence meaning is fundamentally a matter of illocutionary act potential; that is, for a sentence to have a particular meaning is for it to be usable to perform illocutionary acts of a certain type. In providing detailed and explicit patterns of analysis for the whole range of illocutionary acts, Alston makes a unique contribution to the field of philosophy of language—one that is likely to generate debate for years to come.

What is it for a sentence to have a certain meaning? This is the question that William P. Alston addresses in this major contribution to the philosophy of language.

This book offers a new theory of the structure of propositions, which provides a uniform treatment of constative and performative sentences. Jerrold Katz shows that performatives can enter into logically valid arguments, even though, as Austin claimed, they can't be true or false. Katz also argues that âeoespeech act theoryâe is not a theory at all, but an assortment of observations about heterogeneous aspects of the performance of speech acts. He shows that a better explanation of speech acts is given by a grammatical account of the iIIocutionary potential of sentences and a separate pragmatic account of how this potential is realized in actual speech situtations. Katz provides such a grammatical account, which makes it possible for the first time to explain the iIIocutionary potential of sentences within grammar.

At the birth of analytic philosophy Frege created a paradigm that is centrally important to how meaning has been understood in the twentieth century. Frege invented the now familiar distinctions of sense and force, of sense and reference, of concept and object. He introduced the conception of sentence meaning as residing in truth-conditions and argued that semantics is a normative enterprise distinct from psychology. Most importantly, he created modern quantification theory,engendering the idea that the syntactic and semantic forms of modern logic underpin the meanings of natural-language sentences. Stephen Barker undertakes to overthrow Frege's paradigm, rejecting all the above-mentioned features.The framework he offers is a speech-act-based approach to meaning in which semantics is entirely subsumed by pragmatics. In this framework: meaning resides in syntax and pragmatics; sentence-meanings are not propositions but speech-act types; word-meanings are not objects, functions, or properties, but again speech-act types; pragmatic phenomena one would expect not to figure in semantics, such as pretence, enter into the logical form of sentences; a compositional semantics is provided byshowing how speech-act types combine together to form complex speech-act types; the syntactic structures invoked are not those of quantifiers, open sentences, variables, variable-binding, etc., rather they are structures specific to speech-act forms, which link logical form and surface grammar veryclosely.According to Barker, a natural language - a system of thought - is an emergent entity that arises from the combination of simple intentional structures, and certain non-representational cognitive states. It is embedded in, and part of, a world devoid of normative facts qua extra-linguistic entities. The world, in which the system is embedded, is a totality of particular states of affairs. There is no logical complexity in re; it contains mereological complexity only. Some truths havetruth-makers, but others, logically complex truths, lack them. Nevertheless, the truth-predicate is univocal in meaning.Renewing Meaning is a radical, ambitious work which offers to transform the semantics of natural language.

A direct successor to Searle's Speech Acts (C.U.P. 1969), Expression and Meaning refines earlier analyses and extends speech-act theory to new areas including indirect and figurative discourse, metaphor and fiction.

Pragmatics is the study of human communication: the choices speakers make to express their intended meaning and the kinds of inferences that hearers draw from an utterance in the context of its use. This Handbook surveys pragmatics from different perspectives, presenting the main theories in pragmatic research, incorporating seminal research as well as cutting-edge solutions. It addresses questions of rational and empirical research methods, what counts as an adequate and successful pragmatic theory, and how to go about answering problems raised in pragmatic theory. In the fast-developing field of pragmatics, this Handbook fills the gap in the market for a one-stop resource to the wide scope of today's research and the intricacy of the many theoretical debates. It is an authoritative guide for graduate students and researchers with its focus on the areas and theories that will mark progress in pragmatic research in the future.