At the turn of the 16th century, Italy was a turbulent territory made up of independent states, each at war with or intriguing against its neighbor. There were the proud, cultivated, and degenerate Sforzas in Milan, and in Rome, the corrupt Spanish family of the Borgia whose head, Rodrigo, ascended to St Peter's throne as Pope Alexander VI. In Florence, a golden age of culture and sophistication ended with the death of the greatest of the Medici family, Lorenzo the Magnificent, giving way to an era of uncertainty, cruelty, and religious fundamentalism. In the midst of this turmoil, there existed the greatest concentration of artists that Europe has ever known. Influenced by the rediscovery of the ancient cultures of Greece and Rome, artists and thinkers such as Botticelli and da Vinci threw off the shackles of the Middle Ages to produce one of the most creative periods in history - the Renaissance. This is the story of twelve years when war, plague, famine, and chaos made their mark on a volatile Italy, and when a young, erratic genius, Michelangelo Buonarroti, made his first great statue - the David. It was to become a symbol not only of the independence and defiance of the city of Florence but also of the tortured soul who created it. Anton Gill's Il Gigante is a wonderful history of the artist, his times, and one of his most magnificent works.

Il dottor Marigold è un venditore ambulante che vive in un carretto con la moglie e la figlia Sophy. La moglie picchia spesso Sophy, ma Marigold, sentendosi impotente, non fa mai nulla per fermarla. Quando la bambina muore di febbre, la madre, tormentata dal senso di colpa, si suicida. Ma la vita solitaria del dottor Marigold subisce un drastico scossone quando decide di adottare una bimba sordomuta la cui madre è morta e il cui padrino, proprietario di un circo ambulante, ha l’abitudine di picchiare la figliastra.