A treasure trove of forgotten stories about jewels throughout history by internationally renowned jewellery expert, Carol Woolton. If Jewels Could Talk: Links Through Time delves into the history, cultural significance and eclectic trivia of jewellery. As a jewellery historian, jewellery editor at British Vogue and now podcast host, Carol Woolton is uniquely qualified to take us on a whistlestop tour through history via seven items of jewellery: hoops, rings, beads, charms, brooches, cuffs and head ornaments. Weaving in examples from cultures around the world, Carol will uncover fascinating stories about Viking silver torques, Imperial jade in China, sixteenth-century Posy rings, organic gems, snake motifs, Roman cameo carving, Hindu wedding jewellery, Etruscan gold, Ancient Greek coins, piercings, Wedding pigs in China, tiaras and anklets - to name but a few. A beautiful and illuminating gift for any jewellery lover, If Jewels Could Talk shines a light on all that glitters and more.

Throughout the 20th century, jewellery revealed the behind-the-scenes stories and the plot twists and turns in the real lives of celebrities that will always be larger than life. Some of the world's most fabulous jewels not only illustrated power and status in society but these magical gems held tremendous sentimental value as they were linked to the most significant moments and memories of Hollywood royalty, international aristocracy and international icons of style. If These Jewels Could Talk offers a glimpse into the jewellery boxes of these celebrities - the personal tastes, heartfelt anecdotes and the true tales of the women who wore and collected the pieces. During the early- to mid-20th century, a majority of screen actresses requested to wear their own favourite pieces in films. This offered a peek into some the great jewellers of the time who were designing for women who could choose anything. Actresses such as Merle Oberon, Paulette Goddard, Joan Crawford, Grace Kelly and Elizabeth Taylor as well as icons such as Jackie Kennedy and The Duchess of Windsor created signature styles for which they became known and which influenced generations of women, becoming part of our collective consciousness. The 20s through the 50s were a time when the renowned jewellery houses were also celebrities in their own right. They mixed with the socialites and royalty they bejewelled. In films, jewellery clearly developed and defined a character's personality - as it did in real life - whether it be a rags-to-riches story or those that figured into the plot: for example, a Cartier bracelet in Alfred Hitchcock's Lifeboat, or a Harry Winston necklace in Notorious. Whether on or off screen, worn by the famed and the legendary, and designed by the most revered houses of the day, all of these jewels take us on a narrative journey that provide fascinating insight into the intriguing worlds of early Hollywood and nobility from the 1920s through today.

Inspired by memories of her beloved grandmother, photographer and author Alysia Burton Steele -- picture editor on a Pulitzer Prize-winning team -- combines heart-wrenching narrative with poignant photographs of more than 50 female church elders in the Mississippi Delta. These ordinary women lived extraordinary lives under the harshest conditions of the Jim Crow era and during the courageous changes of the Civil Rights Movement. With the help of local pastors, Steele recorded these living witnesses to history and folk ways, and shares the significance of being a Black woman -- child, daughter, sister, wife, mother, and grandmother in Mississippi -- a Jewel of the Delta. From the stand Mrs. Tennie Self took for her marriage to be acknowledged in the phone book, to the life-threatening sacrifice required to vote for the first time, these 50 inspiring portraits are the faces of love and triumph that will teach readers faith and courage in difficult times.

Destined to become must-have visual sourcebooks for all those who love fashion, the Vogue Portfolio series continues with Vogue: The Jewellery by Vogue's jewellery editor, Carol Woolton. From couture to costume jewellery, the brilliant pieces featured on the pages of British Vogue for almost a century have encapsulated the fashion zeitgeist of each new age for which they were created. Adorning princesses and rock chicks alike, the jewels shown here reveal a dazzling array of styles and moods - from fairy-tale romance to Jazz-age glamour, sculptural modernism to timeless elegance. On every page sumptuous jewellery is the star of the show, nourishing dreams in us all. In Vogue: The Jewellery Carol Woolton has curated a collection of more than 300 fabulous images and grouped them into five thematic chapters: Show-stoppers, Rock Chick, Minimalist, Exotic and Classical. From fantastical diamond-encrusted tiaras and intricate jet chokers to sculptural silver cuffs and the purity of a simple string of pearls, the book provides an evocative celebration of a century of magical jewellery, while also showcasing the work of British Vogue's very best photographers including Norman Parkinson, Mario Testino, Anthony Denney, David Bailey, Arthur Elgort, Corinne Day, Cecil Beaton, Bruce Weber and Tim Walker.

"Highly informative and lushly illustrated. An unbeatable combination for pleasure and learning." —Children's Book Review Service "The illustrations and the vocabulary will delight small eyes and ears." —School Library Journal Q&A - Ruth Heller - A Paperstar Profile Ruth Heller - Profile How did you become interested in writing books for children? I loved reading to my own children, and when they started school, I became the P.T.A. library chairman. I was the one who got to pick and choose and spend a nice fat budget for the elementary school library. I feel as though I?ve been surrounded by children?s books for years.I suppose this and my strong art background are what prompted my trying to write. What is the biggest influence in your style of writing, and how has it changed since you first began? Hillaire Belloc, Gilbert and Sullivan, Edward Lear?I grew up reading all of them. I love their rhythm, and I loved reading Dr. Seuss to my children. No question, these were my influences.I think I?ve become wordier, not quite as minimal and succinct as I used to be. What made you decide to write a series on the parts of speech? Take a peek at the back end paper of the hardcover edition of A Cache of Jewels. You?ll see that I committed myself, in print, to writing a book for each part of speech.Here I am, ten years later, thankfully completing the very last book in this series. It will be published in 1998. Do you begin with the words or pictures when you are developing a book? How does the second part come together? The first step is to decide what I am going to say on each page. Then I can begin to visualize my illustrations. The words dictate what the illustration will be, but that still gives me many options.Sometimes the two come together easily, sometimes not. If not, I pursue new research material until something clicks. Did you learn anything new about the parts of speech while writing these books? I learned many things I had forgotten, and some new information and rules that I had never known. I also learned that the textbooks that I used for research were difficult to understand and somewhat boring, and that I am guilty of frequent misuse of the English language. How do you choose the images in your book? An art teacher once told me to fall in love with whatever I was drawing. So I choose images that I love: candy, ice cream, butterflies, sea creatures, carousels, jewels, etc.

When Beth Bernstein’s mother unexpectedly passed away, Beth’s life was forever changed, as she knew that she’d lost not only her best friend, but also a big part of herself. In this heartwarming and moving memoir, Beth learns how to link together the platinum memories of the jewelry handed down to her by the woman who taught her how to love, overcome obstacles, and (most important) accessorize. As a young girl, Beth learned that not all engagements came with a ring. The unconventional engagement watch Beth’s father gave her mother, her mom’s postdivorce transformation from wearing Jackie O pearls to donning love beads--each piece of jewelry represents an intimate memory, a reminder to rise above life’s challenges and enjoy its triumphs. And there are also Beth’s own experiences with rocky romances, of the too many engagement rings she fell in love with and the too few men who could commit. She tells the story of these relationships with sparkles of hilarity and glimmers of hope, conjuring up lost keepsakes and fiery moments--until she realizes that the brightest gems are the ones you give yourself, and finds freedom she never thought possible.

Almost everyone would agree that there's some point where enough jewelry is enough. Well, what is that point? In this book, Doug Batchelor challenges you to find out for yourself what God's Word says on this fascinating subject.