Robert ‘Bob’ Jones – crew leader, shipyard worker, educated, employed – is finding life impossible. Though he has recently been promoted to supervisor at the Los Angeles shipyard where he works, he is disrespected and resented by white colleagues; and despite his relationship with the high-class Alice, he is crudely baited by white woman Madge. Over the course of four fraught days, he is plagued with increasingly violent urges as the bigotry and cruelty he faces in day-to-day interactions mounts. A masterful reckoning with the poisonous effects of racism and a monumental classic in the protest novel tradition, this 1945 novel is as shattering and trenchant today as it was on first publication.

Robert Jones is a crew leader in a naval shipyard in Los Angeles in the 1940s. He should have a lot going for him, being educated, with a steady job and a steady relationship. But in the four days covered in this novel, the impossibility of life as a black man in a white world is made devastatingly clear. Jones is surrounded by prejudice, suspicion and paranoia, and his daily experiences influence his thoughts, dreams and behaviour. Immediately recognised as a masterful expose of racism in everyday life, If He Hollers Let Him Go is Chester Himes' first book, originally published in 1945.

A NEW YORK TIMES NOTABLE BOOK • “[Mat Johnson’s] unrelenting examination of blackness, whiteness and everything in between is handled with ruthless candor and riotous humor.”—Los Angeles Times “Razor-sharp . . . Loving Day is that rare mélange: cerebral comedy with pathos.”—The New York Times Book Review NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • San Francisco Chronicle • NPR • Men’s Journal • The Miami Herald • The Denver Post • Slate • The Kansas City Star • San Antonio Express-News • Time Out New York Warren Duffy has returned to America for all the worst reasons: His marriage to a beautiful Welsh woman has come apart; his comics shop in Cardiff has failed; and his Irish American father has died, bequeathing to Warren his last possession, a roofless, half-renovated mansion in the heart of black Philadelphia. On his first night in his new home, Warren spies two figures outside in the grass. When he screws up the nerve to confront them, they disappear. The next day he encounters ghosts of a different kind: In the face of a teenage girl he meets at a comics convention he sees the mingled features of his white father and his black mother, both now dead. The girl, Tal, is his daughter, and she’s been raised to think she’s white. Spinning from these revelations, Warren sets off to remake his life with a reluctant daughter he’s never known, in a haunted house with a history he knows too well. In their search for a new life, he and Tal struggle with ghosts, fall in with a utopian mixed-race cult, and ignite a riot on Loving Day, the unsung holiday for interracial lovers. A frequently hilarious, surprisingly moving story about blacks and whites, fathers and daughters, the living and the dead, Loving Day celebrates the wonders of opposites bound in love. Praise for Loving Day “Incisive . . . razor-sharp . . . that rare mélange: cerebral comedy with pathos. The vitality of our narrator deserves much of the credit for that. He has the neurotic bawdiness of Philip Roth’s Alexander Portnoy; the keen, caustic eye of Bob Jones in Chester Himes’s If He Hollers Let Him Go; the existential insight of Ellison’s Invisible Man.”—The New York Times Book Review “Exceptional . . . To say that Loving Day is a book about race is like saying Moby-Dick is a book about whales. . . . [Mat Johnson’s] unrelenting examination of blackness, whiteness and everything in between is handled with ruthless candor and riotous humor. . . . Even when the novel’s family strife and racial politics are at peak intensity, Johnson’s comic timing is impeccable.”—Los Angeles Times “Johnson, at his best, is a powerful comic observer [and] a gifted writer, always worth reading on the topics of race and privilege.’”—Dwight Garner, The New York Times

"There could not be a fitter time or place for the publication of this great prison novel than today's United States." --H. Bruce Franklin, The Nation

From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime. Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that suddenly everyone wants to get his hands on. As NYPD detectives “Coffin Ed” Johnson and “Grave Digger” Jones face the complexity of the scheme, we are treated to Himes’s brand of hard-boiled crime fiction at its very best.

The Writings of Chester Himes are colored by a fascinating blend of hatred and tenderness, of hard-boiled realism and generous idealism. His life was complex, his relationships complicated. How did this gifted son of a respectable southern black family become a juvenile delinquent? How did he acquire self-esteem and a new sense of identity by writing short stories while in the Ohio state penitentiary? Drawn from his letters, notebooks, memoirs, and fiction, this straightforward account of Himes's varied, episodic life attempts to trace the origins of his significant literary gift. It details the socioeconomic, familial, and cultural background that fed his ambivalent views on race in America. His Deep South childhood, his adolescence in the Midwest, his young manhood in prison, his years as a menial laborer, his struggle as an author in California and New York City, and finally his glory days as an expatriate and celebrity in France and Spain are plumbed deeply for their effects upon his creative urges and his works. In his native country Himes is recalled more as the author of successful detective novels such as Cotton Comes to Harlem than as a practitioner of the art of fiction. In France and Spain, his adopted countries, he is regarded as a literary master. This critical biography is the bittersweet story of a troubled man who found salvation in writing.