An ethnohistory on the spiritual and governmental conquest of the indigenous people in colonial Mexico, Idolatry and the Construction of the Spanish Empire examines the role played by the shifting concept of idolatry in the conquest of the Americas, as well as its relation to the subsequent construction of imperial power and hegemony. Contrasting readings of evangelization plays and chronicles from the Indies and legislation and literature produced in Spain, author Mina García Soormally places theoretical analysis of state formation in Colonial Latin America within the historical context. The conquest of America was presented, in its first instances, as a virtual extension of the Reconquista, which had taken place in Spain since 711, during which Spaniards fought to build an empire based in part on religious discrimination. The fight against the “heathens” (Moors and Jews) provided the experience and mindset to practice the repression of the other, making Spain a cultural laboratory that was transported across the Atlantic Ocean. Idolatry and the Construction of the Spanish Empire is a wide-ranging explication of religious orthodoxy and unorthodoxy during Spain’s medieval and early modern period as they relate to idolatry, with analysis of events that occurred on both sides of the Atlantic. The book contributes to the growing field of transatlantic studies and explores the redefinition that took place in Europe and in the colonies.

In 1629, Catholic priest Hernando Ruiz de Alarcón produced the Treatise on the Heathen Superstitions That Today Live among the Indians Native to This New Spain to aid the church in its abolishment of native Nahua religious practices. The bilingual Nahuatl-Spanish Treatise collected diverse incantations, or nahualtocaitl, used to conjure Mesoamerican deities for daily sustenance and medical activities. Today this work is recognized as one of the most significant firsthand records of indigenous religious practices in postconquest Mexico. Yet, as Viviana Díaz Balsera argues in Guardians of Idolatry, the selection process for the incantations recorded in the Treatise reflects two sites of agency: Ruiz de Alarcón’s desire to present the most flagrant examples of Nahua “demonic” practices, and Nahua efforts to share benign nahualtocaitl in order to preserve their preconquest traditions while negotiating with colonial Christian hegemony. Guardians of Idolatry offers readers a rare, in-depth look at the nahualtocaitl and the native cosmogonies, beliefs, and medical practices they reveal. Through close reading of four incantations—for safe travel, maguey sap harvesting, bow-and-arrow deer hunting, and divination through maize kernels—Díaz Balsera shows the nuances of a Nahua spiritual world populated by intelligent superhuman and nonhuman entities that directly responded to human appeals for intercession. She also addresses Jacinto de la Serna’s Manual for Ministers of These Indians (1656), an elaborate commentary on the Treatise. Guardians of Idolatry tells a compelling story of the robust presence of a unique form of Postclassic Mesoamerican ritual knowledge, fully operative one hundred years after the incursion of Christianity in south Central Mexico. Together, Ruiz de Alarcón’s Treatise and de la Serna’s Manual reveal the highly sophisticated language of the nahualtocaitl, and the disparate ways in which both colonizers and resilient indigenous agents contributed to the conservation of Mesoamerican epistemology.

Examines early modern Spanish contributions to international relations by focusing on ambivalence of natural rights in European colonial expansion to the Americas.

Long recognized as a classic account of the early Spanish efforts to convert the Indians of Peru, Father De Arriaga's book, originally published in 1621, has become comparatively rare even in its Spanish editions. This translation now makes available for the first time in English a unique record of the customs and religious practices that prevailed after the Spanish conquest. In his book, which was designed as a manual for the rooting out of paganism, De Arriaga sets down plainly and methodically what he found among the Indians—their objects of worship, their priests and sorcerers, their festivals and sacrifices, and their superstitions—and how these things are to be recognized and combated. Moreover, he evinces a steady awareness of the hold of custom and of the plight of the Indians who are torn between the demands of their old life and their new masters. The Extirpation of Idolatry in Peru is an invaluable source for historians and anthropologists.

This comprehensive history of the church in Latin America, with its emphasis on theology, will help historians and theologians to better understand the formation and continuity of the Latin American tradition.

Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology’s cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco’s musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged. Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.

An exploration of the deportation of Mexican military recruits and vagrants to the Philippines between 1765 and 1811.