A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.

CONTENTS The Development of Capitalism in Russia The Theoretical Mistakes of the Narodnik Economists The Differentiation of the Peasantry The Landowners' Transition from Corvée to Capitalist Economy The Growth of Commercial Agriculture The First Stages of Capitalism in Industry Capitalist Manufacture and Capitalist Domestic Industry The Development of Large-Scale Machine Industry The Formation of the Home Market

Even as a country ceases to be a great power, the concept of it as a great power can continue to influence decision making and policy formulation. This book explores how such a process took place in Russia from 1917 through 1920, when the Bolshevik coup of November 1917 led to the creation of two regimes: the Bolshevik "Reds" and the anti-Bolshevik "Whites." As Reds consolidated their one-party dictatorship and nursed global ambitions, Whites struggled to achieve a different vision for the future of Russia. Anatol Shmelev illuminates the White campaign with fresh purpose and through information from the Hoover Institution Archives, exploring how diverse White factions overcame internal tensions to lobby for recognition on the world stage, only to fail—in part because of the West's desire to leave "the Russian question" to Russians alone. In the Wake of Empire examines the personalities, institutions, political culture, and geostrategic concerns that shaped the foreign policy of the anti-Bolshevik governments and attempts to define the White movement through them. Additionally, Shmelev provides a fascinating psychological study of the factors that ultimately doomed the White effort: an irrational and ill-placed faith in the desire of the Allies to help them, and wishful thinking with regard to their own prospects that obscured the reality around them.

Between 1934 and 1941 Stalin unleashed what came to be known as the 'Great Terror' against millions of Soviet citizens. The same period also saw the 'Great Retreat', the repudiation of many of the aspirations of the Russian Revolution. The response of ordinary Russians to the extraordinary events of this time has been obscure. Sarah Davies's study uses NKVD and party reports, letters and other evidence to show that, despite propaganda and repression, dissonant public opinion was not extinguished. The people continued to criticise Stalin and the Soviet regime, and complain about particular policies. The book examines many themes, including attitudes towards social and economic policy, the terror, and the leader cult, shedding light on a hugely important part of Russia's social, political, and cultural history.

This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.

The first book-length analysis of how the Bolsheviks responded to antisemitism during the Russian Revolution.