Gay men and lesbians present humorous and hard-hitting accounts of the need to belong . . . somewhere Why would a lesbian raised in a Jewish home have a sudden desire to be a tough-talking Catholic girl? And why would a gay man travel to Ireland in a desperate attempt to escape his “hillbilly” roots? Identity Envy—Wanting to Be Who We’re Not explores the connections gay men and lesbians have to religions, races, ethnicities, classes, families of origin, and genders not their own. This unique anthology takes both humorous and serious looks at the identities of others as queer writers explore their own identity envies in personal essays, memoirs, and other creative nonfiction. Gay men, lesbians, bisexuals, transgendered, intersex, and other sexual minorities often feel marginalized by mainstream culture and have a need to belong somewhere, to claim a group as their own. This surprising book presents stories of identity envy that are humorous and hard-hitting, poignant and provocative, written with energy, wit, and candor by many of your favorite writers-and some exciting newcomers. Identity Envy—Wanting to Be Who We’re Not includes: Gerard Wozek’s King Fu-infused “Chasing the Grasshopper” Max Pierce’s fantasy of being a “Child Star” that helped him through a troubled family life Lori Horvitz’s “Shiksa in my Living Room” D. Travers Scott's “EuroTex” Perry Brass's “A Serene Invisibility: Turning Myself into a Christian Girl” Jim Tushinski’s ode to Lost in Space, “The Perfect Space Family” Al Cho’s unlikely identification with Laura Ingalls Wilder characters, “Farmer Boy” Irish-American John Gilgun wishes he could be one of those “Italian-American Boys” Joan Annsfire rejects her Jewish heritage to become Catholic schoolgirl Corinne O'Donnell in “The Promise of Redemption” Andrew Ramer’s “Tales of a Male Lesbian” city slicker Mike McGinty’s life with the cattle folk, “You Picked a Fine Time to Leave Me, Helen” and much more! Identity Envy—Wanting to Be Who We’re Not is a must-read for anyone who appreciates good writing—especially gay and lesbian readers who know what it’s like to wish you were someone else.

Gay men and lesbians present humorous and hard-hitting accounts of the need to belong . . . somewhere Why would a lesbian raised in a Jewish home have a sudden desire to be a tough-talking Catholic girl? And why would a gay man travel to Ireland in a desperate attempt to escape his “hillbilly” roots? Identity Envy—Wanting to Be Who We’re Not explores the connections gay men and lesbians have to religions, races, ethnicities, classes, families of origin, and genders not their own. This unique anthology takes both humorous and serious looks at the identities of others as queer writers explore their own identity envies in personal essays, memoirs, and other creative nonfiction. Gay men, lesbians, bisexuals, transgendered, intersex, and other sexual minorities often feel marginalized by mainstream culture and have a need to belong somewhere, to claim a group as their own. This surprising book presents stories of identity envy that are humorous and hard-hitting, poignant and provocative, written with energy, wit, and candor by many of your favorite writers-and some exciting newcomers. Identity Envy—Wanting to Be Who We’re Not includes: Gerard Wozek’s King Fu-infused “Chasing the Grasshopper” Max Pierce’s fantasy of being a “Child Star” that helped him through a troubled family life Lori Horvitz’s “Shiksa in my Living Room” D. Travers Scott's “EuroTex” Perry Brass's “A Serene Invisibility: Turning Myself into a Christian Girl” Jim Tushinski’s ode to Lost in Space, “The Perfect Space Family” Al Cho’s unlikely identification with Laura Ingalls Wilder characters, “Farmer Boy” Irish-American John Gilgun wishes he could be one of those “Italian-American Boys” Joan Annsfire rejects her Jewish heritage to become Catholic schoolgirl Corinne O'Donnell in “The Promise of Redemption” Andrew Ramer’s “Tales of a Male Lesbian” city slicker Mike McGinty’s life with the cattle folk, “You Picked a Fine Time to Leave Me, Helen” and much more! Identity Envy—Wanting to Be Who We’re Not is a must-read for anyone who appreciates good writing—especially gay and lesbian readers who know what it’s like to wish you were someone else.

Intelligently written and attractively illustrated and designed, this study of gay and lesbian history culture in San Francisco begins with the cross-dressing practices of 18th-century Native Americans and continues through to the signing of municipal transgender laws in 1995 in the "Gay Capital of the World." Some 300 well-chosen black-and- white and color photos document the history (though none are sexually explicit, there is some nudity). Annotation copyright by Book News, Inc., Portland, OR

Exploring a city famous for its role in film settings and television backdrops, this book is a comprehensive guide to thousands of movie and television locations in the San Francisco Bay area. From the cement steps in Alta Plaza Park as featured in Barbra Streisand's What's Up, Doc? to the actual nightclub of Frank Sinatra's character in Pal Joey and the haunts of Don Johnson's Nash Bridges, this jaunty expedition around San Francisco and the surrounding bay explores an area featured in more than 1,500 movies. Easy-to-follow maps identify significant historical film sites, locations for classic and contemporary films, movie palaces, and production companies, making this travel guide a best bet for planning a tour of locales associated with Charlie Chaplin and Alfred Hitchcock, as well as current film-makers such as George Lucas, Francis Ford Coppola, and Clint Eastwood.

Named one of the Best Books of 2021 by Oprah Daily, Glamour, Shondaland, BuzzFeed, and more! A hilarious and whip-smart collection of essays, offering an intimate look at bisexuality, gender, and, of course, sex. Perfect for fans of Lindy West, Samantha Irby, and Rebecca Solnit—and anyone who wants, and deserves, to be seen. If Jen Winston knows one thing for sure, it’s that she’s bisexual. Or wait—maybe she isn’t? Actually, she definitely is. Unless…she’s not? Jen’s provocative, laugh-out-loud debut takes us inside her journey of self-discovery, leading us through stories of a childhood “girl crush,” an onerous quest to have a threesome, and an enduring fear of being bad at sex. Greedy follows Jen’s attempts to make sense of herself as she explores the role of the male gaze, what it means to be “queer enough,” and how to overcome bi stereotypes when you’re the posterchild for all of them: greedy, slutty, and constantly confused. With her clever voice and clear-eyed insight, Jen draws on personal experiences with sexism and biphobia to understand how we all can and must do better. She sheds light on the reasons women, queer people, and other marginalized groups tend to make ourselves smaller, provoking the question: What would happen if we suddenly stopped?​​ Greedy shows us that being bisexual is about so much more than who you’re sleeping with—it’s about finding stability in a state of flux and defining yourself on your own terms. This book inspires us to rethink the world as we know it, reminding us that Greedy was a superpower all along.

Workplace envy can affect everyone. This book reveals that workplace envy is an omnipresent emotion in contemporary organizations. The factors that are likely to reinforce envy in the workplace are explored in depth, along with possible solutions to prevent envy from developing in such a way that it becomes harmful to an organization.

The renowned Christian preacher and New York Times bestselling author of An Altar in the World recounts her moving discoveries of finding the sacred in unexpected places while teaching world religions to undergraduates in Baptist-saturated rural Georgia, revealing how God delights in confounding our expectations. Christians are taught that God is everywhere--a tenet that is central to Barbara Brown Taylor's life and faith. In Holy Envy, she continues her spiritual journey, contemplating the myriad ways she encountered God while exploring other faiths with her students in the classroom, and on field trips to diverse places of worship. Both she and her students ponder how the knowledge and insights they have gained raise important questions about belief, and explore how different practices relate to their own faith. Inspired by this intellectual and spiritual quest, Barbara turns once again to the Bible for guidance, to see what secrets lay buried there. Throughout Holy Envy, Barbara weaves together stories from her classroom with reflections on how her own spiritual journey has been challenged and renewed by connecting with people of other traditions--and by meeting God in them. At the heart of her odyssey is her trust that it is God who pushes her beyond her comfortable boundaries and calls us to "disown" our privatised versions of the divine--a change that ultimately deepens her relationship with both the world and with God, and ours.