Anthony Taylor's poems and songs offer a range of topics and emotions as varied as life itself - from the warm-hearted humour of The Hugging Song and the playful but touching romanticism of I'd Like To Be The Morning Sun to the despairing voices of Russian Roulette and Commuter's Lament; from the tenderness of Dream Of Me Tonight to the indictments of war in First Moustache and Gorillas Hearing Gunfire; from celebrations of natural beauty in Winter Sun Over Aberystwyth and Samothrace to the grief of The Daffodils Outside My Mother's Window and Skeleton House; from the joyful assurance of Sailboats In The Sky to the ominous note sounded in Dead Hedgehog; from the contentment of Canals to the sad solitariness of Alone Eighty and Missing. In between, the verse takes in such diverse subjects as music, summers and sand, commuting, snow, rugby, busking, faith, cruelty to animals and world conflict and peace. Through all there shines a love of and concern for life and living things.

I have kind of become invisible. Nobody looks at me. Not like they used to. You reach an age. Like my age and people stop looking at you. They stop checking you out. In Greenwich Village a generation or so ago, the city is alive. Joni Mitchell sings, friends and lovers come and go, and the regulars change at the White Horse Tavern. As 50 years pass, one woman's life is revealed in all its complexity, mystery and possibility in this enthralling world premiere about mothers and daughters, beginnings and endings in New York City. Simon Stephens's new play, commissioned by MTC, premiered off-Broadway in November 2021 starring Blair Brown, Edie Falco and Marin Ireland.

IN THE MORNING SUN is based on the true story of one soldiers three-year adventure. Half a world from home, he finds himself in the middle of a war the war in Vietnam. From the chaotic streets of Saigon, to the rice paddies of rural Vietnam, and to the confines of a small bamboo cage, his journey is filled with surprises. Along the way, he meets people who will become life-long friends, and others who he will spend a lifetime trying to forget. Not just a war story, ... IN THE MORNING SUN is also a story of love, a love that survives all of the battles and still lives... long after the last shots fired have been forgotten.

As the Great War rages, an independent young woman struggles to sustain love—and life—through the power of words. It’s 1917 and America is on the brink of World War I. After Hensley Dench’s father is forced to resign from the New York Times for his anti-war writings, she finds herself expelled from the life she loves and the future she thought she would have. Instead, Hensley is transplanted to New Mexico, where her father has taken a job overseeing a gold mine. Driven by loneliness, Hensley hijacks her father’s correspondence with Charles Reid, a young American medic with whom her father plays chess via post. Hensley secretly begins her own exchange with Charles, but looming tragedy threatens them both, and—when everything turns against them—will their words be enough to beat the odds?

Welcome to Beaconville. It's a suspicious, unfriendly little town suspended in a dreary, bone-chilling winter. But when reclusive Dallas billionaire Fletcher Streiker receives a rambling letter from one of the residents asking for help, he decides to make a personal trip, bringing his wife, Adair, and their young son, Daniel. The citizens react with predictable hostility when Fletcher shows a little too much interest--and insight--into their doings. Inexplicable things begin to happen, such as pieces from Adair's past showing up around town. However, when Fletcher pushes the townspeople a little too far, she and Daniel are left on their own. And the only way they can leave--the only way anyone can leave--is on Fletcher's train, the Morning Sun. The Streiker Saga begins with Streiker's Bride, continues in Streiker: The Killdeer, and concludes in Streiker's Morning Sun.