Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.

In the last quarter century, a new form of iconic architecture has appeared throughout the world's major cities. Typically designed by globe-trotting "starchitects" or by a few large transnational architectural firms, these projects are almost always funded by the private sector in the service of private interests. Whereas in the past monumental architecture often had a strong public component, the urban ziggurats of today are emblems and conduits of capitalist globalization. In The Icon Project, Leslie Sklair focuses on ways in which capitalist globalization is produced and represented all over the world, especially in globalizing cities. Sklair traces how the iconic buildings of our era-elaborate shopping malls, spectacular museums, and vast urban megaprojects--constitute the triumphal "Icon Project" of contemporary global capitalism, promoting increasing inequality and hyperconsumerism. Two of the most significant strains of iconic architecture--unique icons recognized as works of art, designed by the likes of Gehry, Foster, Koolhaas, and Hadid, as well as successful, derivative icons that copy elements of the starchitects' work--speak to the centrality of hyperconsumerism within contemporary capitalism. Along with explaining how the architecture industry organizes the social production and marketing of iconic structures, he also shows how corporations increasingly dominate the built environment and promote the trend towards globalizing, consumerist cities. The Icon Project, Sklair argues, is a weapon in the struggle to solidify capitalist hegemony as well as reinforce transnational capitalist control of where we live, what we consume, and how we think.

This book showcases cutting-edge research papers from the 8th International Conference on Research into Design (ICoRD 2021) written by eminent researchers from across the world on design processes, technologies, methods and tools, and their impact on innovation, for supporting design for a connected world. The theme of ICoRD‘21 has been “Design for Tomorrow”. The world as we know it in our times is increasingly becoming connected. In this interconnected world, design has to address new challenges of merging the cyber and the physical, the smart and the mundane, the technology and the human. As a result, there is an increasing need for strategizing and thinking about design for a better tomorrow. The theme for ICoRD’21 serves as a provocation for the design community to think about rapid changes in the near future to usher in a better tomorrow. The papers in this book explore these themes, and their key focus is design for tomorrow: how are products and their development be addressed for the immediate pressing needs within a connected world? The book will be of interest to researchers, professionals and entrepreneurs working in the areas on industrial design, manufacturing, consumer goods, and industrial management who are interested in the new and emerging methods and tools for design of new products, systems and services.

Classic stories of science fiction featuring powered armor: Tales from the Golden Age through the current era featuring military, police, and civilians utilizing powered armor. Stories by Joe Haldeman, Christopher Ruocchio, Jason Cordova, and more! MEN, MACHINES, AND TOMORROW’S BATTLEFIELDS War is planned violence . . . or, at least, it starts out that way. And even if plans go awry, the violence is indispensable. Today’s soldiers have far more firepower on a per-man basis than the doughboys of a century ago, and there is no reason to believe that this trend will not extend into the future. Imagine a revival of suits of armor, but with structural strength undreamed of by medieval knights, and powered by built-in motors, giving each soldier the invulnerability of a tank, but even more mobility, and mechanical muscle strong enough to carry light artillery, rocket launchers, laser cannon, and weapons not even on the drawing boards yet. Add on the ability to fly, or at least jump for a kilometer at a time, using rocket boosters, or even powerful leg motors, or a combination of both. The stuff that superheroes are made of, hanging in every fighting man or woman’s closet, ready to wear. If it’s possible, history teaches us, it will be done. But don’t expect a nation or planet possessing such battalions of super-powered soldiers to not worry about attack by an enemy . . . there’s no reason why the enemy won’t have its own armored infantry. Keep the midnight oil burning and the R&D rolling. In the meantime, here’s a sneak peek by expert dreamers putting the battle-hardened reader at the sharp end of tomorrow. At the publisher’s request, this title is sold without DRM (Digital Rights Management). Praise for anthologies edited by Hank Davis and David Afsharirad: “This intriguing anthology explores the human race’s violent potential [but] also bends toward exploration and the triumph of the human spirit, with brave tales [that] take the reader on a fascinating, thoughtprovoking, enjoyable journey . . . ” —Publishers Weekly on The Year’s Best Military SF and Space Opera, starred review

An icon (from the Greek word "eikon," "image") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters--usually monks--followed prescribed models from iconographic manuals. The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the Guide to Imagery series, this book includes a wealth of color illustrations in which details are called out for discussion.

Eternal Icons: Celebrating the Lives of Timeless Celebrities by Ivy Blair delves into the captivating world of stardom and celebrity culture. This book is a tribute to the larger-than-life figures who have shaped our collective consciousness and influenced popular culture. From the golden age of Hollywood to the modern era of social media influencers, Ivy Blair explores the lives, legacies, and lasting impact of these iconic personalities. Through eleven insightful chapters, readers will journey through the evolution of celebrity, the co-creation of hero-like figures, and the disneyfication of legends. Discover how these eternal icons transcend their mortality, leaving an indelible mark on fashion, music, design, and public sensibilities. Whether you're a pop culture enthusiast or a curious observer, this book offers a profound look at the phenomenon of stardom and its enduring allure.